Calling all Horn lovers


What is it that love about this type of speaker? Why would you recommend them?
What do you like the most and the least about your horns? Thanks in advance for any and all responses.
bander

Showing 4 responses by roxy54

I agree with Shakeydeal. After listening to horns, there are few speakers that I find have sufficient dynamic headroom. They give you the feeling that the sky is the limit dynamically; but of course, if the recording is compressed, it still sounds compressed. They can't create dynamic range, just reproduce it. The other part that I like is the speed. There is no sense of sluggishness.
What I like least about mine is the limited top end. I would love to add a pair of Townshend supertweeters. I think it would be amazing. Saving my pennies...
Shakeydeal,
I use as my primary speakers (I have others) a pair of Klipsch Epic CF-4 (series 1). I have slightly modified them by damping the shell of the horns, as well as some bleckhole 5 inside the large cabinet. I am a former owner of K-horns many years ago, and have been through several small Pro-Acs, 2 Large Spendors, Dahlquists,Focus Audio, TDLs etc.
I liked them all for different reasons, and actually bought these never thinking they would be as good as they are.
For me, it is the nuance, timbre and dynamic ease that win me over. A certain immediacy that sounds more lifelike than others that I have owned, even though I have fond memories of the Spendor SP100 in particular. Compared with horns, they are dynamically restrained and subjectively "slow" sounding.
I know that some people consider horns harsh and shouty, and I'm certain that there are some that are, but mine are not. In many ways, these Epics are more even handed than the K-horns, especially regarding coherence, since most of the music is coming from a large horn in the center of 2 twelve inch woofers. The trade-off is that the 2 inch compression driver will not reach the treble stratosphere, which is why I want Townshend supertweeters when I can afford them. I am still very happy without them though.
"And flawed design is not why horns are often very dynamic. That comes from very low excursion, resultant great linearity, and the fact that the horn is an acoustic transformer, matching the impedance of the driver and the air."

Kiddman is correct. The pecieved dynamics of horn speakers is not an illusion caused by frequency peaks in the midrange.

That said, there are cone speakers with great dynamics, and Charles1dad, you have one of them. I remember hearing the Total Eclipses at a show years ago, and they have amazing dynamics. I should have bought them then, but I got sidetracked and stupidly bought a speaker I had never heard based on reviews. Anyway, you have a great speaker.
Whart,
Whart,
I love what you wrote. It is even handed and honest. Your point, as I read it, is that horns are by no means perfect, but with their flaws, they still present a dynamically credible illusion of music.
I particularly liked your point about the immediacy and vividness of their presentation, and the sound at low listening levels. (which is important to me) I agree that they don't always do the vast soundscape thing the way small monitors do, but for me, the other factors you mentioned are more musically important.
As always, liking or disliking horns, or any type of speaker will depend on your sonic preferences.