Bridging an amplifier


I recently watched a YouTube video, a few years old, that featured Flemming Rasmussen, the highly regarded founder and engineer for Gryphon (now retired I believe). Flemming was speaking of his class A monoblock amplifiers in the Antileon Evo, Colloseum and Mephisto. Flemming was expressing his disdain for Monoblocks that are actually 2 internally bridged amplifiers, (such as DNA 500,Clayton M300s and also class A Luxman that can be used as Monoblocks in the BTL mode (bridged tied load), calling these types of Monoblocks inferior and not true Monoblocks. He claims dedicated Monoblocks where all push pull transistors are paralleled, are vastly superior to summing the two channels via bridging (antiphase summing). I’d love to know if most audiophiles and engineers agree with Flemming. I have owned and found both the DNA Monoblocks and Clayton M300 Monoblocks to sound excellent, and a friend uses two M-800A Luxman class A amplifiers in bridged tied load mode (BTL switch) with great clarity and power. Thank you for your thoughts!
audiobrian

Showing 1 response by cal3713

@almarg As always, thanks so much for your teaching. Now I finally understand why the first watt f4 manual is written the way it is. 

"As a stereo amplifier with single-ended inputs and outputs, it will deliver up to 25 watts into 8 ohms with a damping factor of 40. It will do 50 watts into 4 ohms, and as a mono-block amplifier with parallel inputs and outputs, it will do about 100 watts into 2 ohms. As a mono-block amplifier with balanced inputs and outputs the power output rating is 100 watts into 8 ohms at 1%."

I've built one and am in the process of building a second and couldn't figure out why Nelson kept changing the impedance in his description...