better gear, worse recordings


ever notice that the better the gear you own, the worse some recordings sound?

some recordings you grew up with that were eq'd for lp's now sound flat and lifeless or the musical background is revealed as less captivating than it appeared on mediocre equipment

a few other rare jems show even more detail and are recorded so well that the upgrade in equipment yields even more musicality

I have my opinions, would like to here what artists you think suffer from the former or benefit from the latter

thanks
TOm
128x128audiotomb

Showing 1 response by sns

I must admit that I am somewhat of a contrarian on this issue. In my experience I have concluded that most recordings I percieved as poorly recorded on lesser equipment are now at least more interesting (musical may be another matter altogether) because of increased transparency of better equipment. Yes, there are downsides to this increased transparency, a harsh, bright recording only sounds more harsh and bright, however I've found few recordings (perhaps 10% of collection-all genres) to be unlistenable because of the increased transparency.
However, I find the more important question to ask oneself is, does this greater interest bring along with it a greater musical enjoyment? I would suggest that increased interest in a recording is an analytical phenomenon, perhaps not musical at all. But then I ask myself, does greater analytical involvement bring greater musical pleasure? In the final analysis I find that analysis is an inherent process to achieving musical pleasure. I've found over many years of listening that musical enjoyment of my systems to be so variable that I have trouble quantifying it. I can only surmise that musicality is purely a pschological phenomenon and analytical interpretations of a listening experience serve to impinge on the purity of the musical experience. I find my greatest musical experiences come when I'm able to turn off or ignore the analytical portion of my brain. Unfortunately this happy state of affairs never seems to last for long. My analytical brain invariably asserts itself, taking away from the muscial experience (audiophilia nervosa?).
Still, I would rather hear all the details (warts and all) that a high resoultion system brings than not hear these details at all. The analytical brain serves its purpose to qualify and quantify the ugly sounds and how one may delete them (through equipment purchases), hopefully bringing muscial bliss. This process replicates itself perhaps endlessly :-(,) for the audiophile. IMHO PURE musical pleasure can only happen if one is oblivious to the analytical process or if one has attained, with full analytical awareness a system that brings muscial nirvanna. I would propose that for a fully aware audiophile this musical nirvanna could only be achieved when one percieved there was no better equipment and/or system synergy to be gained at any price. Or am I just to cynical? Scott