Best Tonearm and Cartridge for 4K or under for restored Garrard 301


I have a good set up for digital audio and would like to venture into analog audio. My digital set up is
Cary DMS600 -> Cary SLP05 -> Cary CAD211FE -> KEF Blade. I love the sound!

My first and only TT is a Thorens TD126 with TP16 tonearm and TMC60 MC -> PPA990 and phono stage is Cary PH302.

I bough an old Garrard 301. Planning to get it restored by Jim Campbell. Have a slate plinth. Now I am looking for a tonearm and cartridge that will justify my set up. I am thinking 4K. I could go lower or higher depending on the feedback, cost/value. I am looking for a good bargain. If I don't like it, I can easily sell it without much loss. I listen to classical, jazz, rock, indian music. 

I have never setup a tonearm before. But I looked extensively on the internet and Michael Fremer's how to set up videos. I understand all the different angles, VTA, SRA, Azimuth, Zenith. 

Looks like Michael likes Kuzma 4PT, I liked his review of the tonearm.
I am also looking at linear trackers like Transfi Terminator.
Woody, Triplaner Mk VII, SME 3012R, SME 312, Ortofon RS 309D, Dynavector DV 505/ 507, Reed 3P, Stogi reference, FR 64S, FR 64 FX, Sumiko 800.

kanchi647

Showing 5 responses by sdrsdrsdr

The Reed is an excellent choice. To save money, Reed 2a isn’t far behind according to people that I respect their opinions. I have an Ikeda it407 on my grease 301. Another good choice. Maybe getting out of price range though. FR 64s also cool with the right cartridge and if you want to stay vintage. I do feel that even though some on your list are very good arms, in my opinion they just don’t suite the vibe of a 301. But that’s just me. But on my Kuzma table, that’s a different story. 
To add. My dynavector XX2 sounds great on the Ikeda. Good drive, full powerful bass and not as tipped up in the high frequencies as most others so it’s better for rock and your Indian music. A good friend of mine listens mostly to Indian music. Make sure you demo with this music. Most systems aren’t pleasing with this music. This is always an issue for him. He likes his Koetsu Rosewood signature over his Airtight Pc1 for this reason. We listen to the airtight when I come over though.
The other question about what I said about Lyra. They are awesome sounding cartridges. But I find only with awesome sounding records. If your record collection isn’t up to it like most Indian music, you’ll find you’ll not be enjoying it. In comparison to others they’re very extended, very fast, and slightly lean. Similar to ZYX, which I also really like. I had an airy 3. But not with less than excellent recordings. This is one of the reasons that many of us have more than one tonearm and cartridge. Just make sure to choose what plays your style music best,  not what the rest of us think is best for our tastes.
@sdrsdrsdr Thanks for the tips about Indian music. Which TT does he use? Pls explain why the Lyra is not good? I am trying to learn and understand. Demo is a problem as I live in rural area. I live in Wheelersburg, OH. I am happy to travel to demo stuff if anyone is willing to show me.

My friend that likes the Indian music also has a 301. I talked to him earlier today and he’s selling his triplanar and airtight combo. Also selling his fr64s. He prefers the SME 312 and Koetsu Rosewood for his indian music. He likes a very smooth forgiving sound for his music. I bring my records when I come by and we listen to the other arm though, which I prefer. And so does he listening to my records. You should really audition first. It sounds like your budget is limited and many of these recommendations from others are beyond it. That’s why I mentioned the Reed 2a. Go for the 3P if you can though. A warm forgiving MC you could consider, wood body Benz, Koetsu Black, ortofon spu royal n, dynavector xx2. Or vintage MM cartridge. As far as all these expensive 301 modifications, fine if the budget is there but not necessary to get great sound. I recommend to give Steve Dobbins a call. Or Chris at woodsong audio.