Best System for Pink Floyd



Someone who I never expected might listen to Pink Floyd was praising Dark Side of the Moon recently.

It made me realize that I have been listening to it for over 30 years now, and I still get something out of it every time, and also trust and rely on Pink Floyd to test the resoltuion and imaging of my audio components.

Which made me wonder:

Imagine if the only music you would ever listen to again was Pink Floyd, what components and in particular, what speakers would you suggest?

It would be fascinating to hear how you like to listen to Pink Floyd, as well as an interesting litmus test for capable and dynamic systems.
cwlondon

Showing 2 responses by mapman

I don't think I could better what I have for Pink Floyd.

if you think PF is a good audio challenge, try the albums "Lighthouse Sun", "Deadwing" or "Fear Of a Blank Planet" by Porcupine Tree.

If the system is able to deliver the goods on most any classical or modern "loudness wars" recordings, including Hip Hop, metal and the likes, then I think it will handle most anything else with aplomb.
Some ancient history.

When it first came out, "The Wall" was one of my most successful demo disks back in 1978 in selling equipment to fellow college students when I used to do such things.

We sold JBL, Advent, Infinity, EPI, Electrovoice, KLH (back when they we decent) and other brands. It always sounded best on OHMs, in particular OHM Hs. Those were too big for my dorm room so I settled personally for the OHM Ls that I still run, though I've always coveted OHM Hs and a bit later also OHM Is. All others had various shortcomings IMHO, although the better large JBLs may have had perhaps teh "warmest" sounding presentation.

BTW, one might be able to pick up newly refurbished versions off any of these old classic OHM models via OHM still. They still sell them refurbished and retrofitted with the latest 21st century drivers and technology when available.

I don't know of ANY speaker I have heard for $600 a pair that can beat my OHM Ls playing PF or PT in particular these days, especially anything that works well close to teh rear wall. I could probably still live comfortably with these as my main speakers today. They cost $500 a pair new back in 1978.

There was a point about 2 years ago as I was in the process of updating most of my system that the PT album "FOABP" ONLY sounded good to me on the OHM Ls in my big listening room where the OHM 5s reside today. This album was in particular one of the hardest I found to get to sound right, but once it does, like most PT stuff, BINGO!!!