Best sound at Stereophile show.


I got to rate the Dynaudio room as the best sounding Room. They used the Dynaudio C4 speakers which listed for 16,000. All I can say is, they sounded incredible. They sound very smooth with an amazing soundstage. Bass was really good.

I also liked the Gamut Room. Gamut used probably the largest Amp I'v ever seen. The Amp weighed 400 pounds. Speakers were the Pipedreams with the Gamut CD Player. The system sounded very 3 dimentional with a good bass response. I also got to thank Ole Lund Christensen. He's the designer of Gamut. He played by far the best music. He played upbeat classical, where you could judge the midrange and bass of the speakers. He also played brick in the wall by Pink Floyd. I felt to many rooms played to much Jazz and violin music, where you just couldn't judge the speakers. Also, Ole played what ever CD you gave him.

I also loved the Wilson Watt Puppies 7. What totally amazed me. Wilson played alot of the time, the Watt Puppies 7 with the massive Wilson Sub. I thought that Sub would totally boom up the bass on the Watt Puppies. But it was the exact opposite. The Wilson Sub blended in so perfectly with the Wilson Watt Puppy 7 speakers.

I also liked the Tact room. They had those new Tact speakers that must have been 7 feet tall. They sounded great.

Most amazing home theater performance had to be in the Audio Video Creations room. They used a Pioneer 50 inch Plasma TV. Krell multichannel Amps, Krell Preamp processor, Krell DVD Player, Piega speakers and Piega Sub. They played clips from Jurassic Park and Matrix. Holy Moley did this system sound unbelievable. It was so incredible sounding.

Another thing that really impressed me. In the NAD room, one of the people there downloaded a Jewel peformance from the Jay Leno show on High Definition TV. They downloaded the Jewel performance to a hard drive, then transferred it to a DVD recorder. This picture quality was amazing. It was so perfect the picture.

I also really liked this Antique Sound Headphone Amp with Senheiser headphones. It listed for 1200 dollars. You could also used this as a preamp. The Antique Headphone Amp used 2A3 Tubes. It sounded so perfect and could go very loud without breaking up. Plus it had that nice tube sound.

Also alot of the designers were really nice. I mentioned Ole. Al from Dynaudio, Mark O'brien from Rougue Audio, Dale Fontenot from Roman Audio speakers, Alan Yun from Silverline, Tash Goka from Divergent technologies and Gilbert Young from Blue Circle were really good guys.
twilo

Showing 6 responses by unsound

Plato, My two friends and I were at the show together and agree with you. We kept returning to the MBL room. The MBL speakers continue to have problems with bass integration every time I hear them. The bass isn't up to the rest of the system. Perhaps that because what's up from there is in a class of it's own? Despite this we found the sound easy and natural with no sense of impending fatigue. My favorite room just ahead of TacT. Marakanetz, I can only say that we must have very!!! different biases as we don't seem to agree on much.
Interesting, when we were at the MBL room we heard mostly acoustic music, blues and classical. The people running the demonstration were kind enough to let the system speak for itself without interupting with a lot of sales chatter. The audience was politely silent and obviously reveling in the sound.
Plato, again we agree. One of my friends (a musician) was sucked into any room that could be heard playing jazz. Avnut , we also liked the Wilson room very much.
Kevinkwann, are you suggesting that manufacuters are marketing equipment to compentant, qualified judges and not to hobbyist? Who cerifies these "experts"? Who determines the criterion? Do you think that these "experts" could carry the tab for all the rooms at the NY Hilton? This forum is designed for hobbyist to do exactly what you seem to be objecting to. I think that most hobbyist realize that this type of venue is inappropriate to make any real judgements and are only sharing their impressions cognitive of the compromised situation.
I don't know about the biggest being the worst, but I will agree that I did not hear one "horn" that I remotely enjoyed.
My friends and I thought the Thiel 1.6 were perhaps the best value but not the best sound. I had to wonder about using the Musical Fidelity equipment. The demonstrator made a deal of how these Thiels were so efficient (90) db compared to previous Thiels. Why use 250 watt mono's that loose power as they drop into lower impedances (3.5 OHMs and not all that much higher with these speakers)in a fairly small room?