2. best-of
  3. 946442905

Best solid-state amp made anywhere

I'd like to open up this "best of" to include amps from New Zealand, Canada, France, England, Germany and (my personal favorite) Italy, as well as whoever else I've left out (no extraterrestrial amps, please). I have spent some time with the most amazing solid state amp - made by Aloia of Italy and uses an inductive (!) power supply. These amps have a naturalness and ease I haven't previously encountered in solid state, not even Pass or Claytons. Have you noticed that the Italians make superb audio equipment? In this country, audio engineering is to engineering as podiatry is to medicine. It just doesn't typically draw the cream of the crop. In Italy music matters far more, and audio equpiment is designed by people who will make an opera singer sing her part over if they aren't satisfied with her performance. Well enough sociology - what's your vote for best solid state amp?
captain_imho
blkadr
739 posts
 
I think you guys with your trash taik are hilarious. Where are the Krell lovers to take on all comers? I have not heard all the super amps, but I know amps sound different in different systems. Only one way to find out what works with yours. Whats next, wine with which cheese, Ford vs Chevy? Love it.
1953
140 posts
 
If you can find one, the Reference Line Silver Signature, especially with the high current outboard power supplies and the "3D" output stage but even the plain single chassis models are stunning musically. The Roland model 1 ain't bad either, a little soft but engaging. And dare I say....the little Forte 4a.
audio51
4 posts
 
Genesis Stealth ,FM Acoustics,Meitner MTR-101 mono blocks
michaellukasa904
5 posts
 
I've forgotten how many absolutely great amps there are in this world until I read the above responses. I'd like to add the BEL 1001 Mk 5 in mono form. Also, those Exposure 16 monos are damn fine too.
dschoenberg8cd4
14 posts
 
Without question, the Levinson 33H. As for the people who voted for the Goldmund Mimesis 29.4, I hope yours haven't blown up. I owned a Mimesis 9.5++, and a Mimesis 29, during a one year period. Each of them failed twice. After four shipments back to Switzerland, and absolutely no hint of an apology from Mr. Reverchon, I decided that I'd had enough. The Goldmunds sound great (when they are working), but the Levinson sounds even better, and they work.
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