best phono preamps?


I heard the Jadis JP 80 MC and I was very impressed especially by the phono part. I have seen that Jadis builds a "only phono preamp" the DPMC. Any experience wih it?
which other phono preamp do you recommand?

my system:
Kuzma Stabi (looking also for new diamond)
Jeff Rowland Capri + monoblocs 501
Infinity Renaissance 90
clavil

Showing 4 responses by dan_ed

The best phono preamps are integrated phono/line level preamps.

In general, that may be true. My Doshi Audio Alaap separates sound every bit as good as the Alaap full function preamp. Just like turntables and everything else, it really depends on each individual implementation.
Raul,

when I met you at Doug and Paul's to hear your Essential, I was stopped, for whatever reason, from bringing in my Alaap separates which I had with me at the time. We stayed with Doug's preamp. At that time, I believe that my separates were still ahead of Nick's full function preamp. So, it would have been most interesting to hear side-by-side with the Essential. Nick has since found a way to tweak his FF preamp psu to meet the performance of the separates, so today there is not much difference in the sound of the Alaaps. Unless Nick has come up with another tweak he hasn't told me about. ;-)

I do understand, from both a practical and engineering standpoint, why one may think that separates cannot approach the level of a single preamp. But it can and has been done. I agree that if one is mixing and matching phonostages and preamps that it would be most difficult to achieve this.

Still, it always comes down to implementation.
Well, in theory why have any separates at all? I mean a completely integrated source/amp/speaker so there are no cables anywhere. ;-)

In all honesty, I reserve the right to change my position if I ever get a chance to spend time with a full function Alaap in my system. Then I could really pick up on any differences in topology in a very controlled situation. However, as I make more and more changes/improvements to my system I have yet to find a point where I cannot hear more from the signal coming through my components. I haven't found any limit yet.

On the flip side, there is great benefit to me to be able to leave those other 6 tubes off if I'm just spinning CDs. I also opted for dual, stepped attenuators and no remote. This is why I think we have to look at the whole picture and not just concentrate on this one aspect. The more I learn in this hobby, the fewer absolutes I accept.