Best Integrated Amp? Help...


I am looking at spending under $2000, new or used.
I want a simple no frills integrated amp.
I am using B&W Nautilus 804s which can be demanding.
Tried a Jeff Rowland, and it would not work with them.
They have done well with Classe and BAT.
Looking in the 100W to 150W range.
Any help would be greatly appreciated.
Thinking Plinius 9100, Musical Fidelity A300 or A3.5.
Thanks.
jl2

Showing 9 responses by knownothing

Musical Fidelity A5 - used
Shanling A-3000 - new
Cayin A-88T Vacuum Tube Integrated/Power Amp - new ("only" 45 W, but you will be surprised)
Vincent Audio - SV-236 Hybrid - new

Primare i30 - used if you can find one for under 2 grand

Bel Canto is interesting, but if the Rowland didn't do it for you, I am a bit skeptical this one will either - again buy used if you can find one
Blue Circle = good.

http://www.sixmoons.com/audioreviews/bluecircle/nscs.html

http://forum.ecoustics.com/bbs/messages/47077/233226.html

http://www.positive-feedback.com/Issue21/nscsintegrated.htm
Maybe, but Six Moons notes the Blue Circle NSCS "is equipped with a massive 600VA toroidal transformer and over 100,000 microfarads of reservoir capacitance for a power output of 110wpc into an 8 ohms." That is a lot of reserve capacitance available for transients. While maximum volume may ultimately be reduced compared to say, a 500W Rotel digital separate or Musical fidelity KW 550 integrated, at most listening levels I think the Blue Circle would keep up quite well with the 804's and provide a nuanced listening experience hard to get in one box under two grand, IMO.
Perhaps of some relevance here - posting from "Maccur" on AVSForum.com

"I don't know about Martin Logans, but I did an in-store comparison between the two about two years ago and went with the Musical Fidelity A5 for my B&W Nautilus 804 two-channel system. The Krell just didn't seem to have the depth and soundstage of the Musical Fidelity and, like most Krells, seemed to emphasize the bass. It's been a great match with the 804s, but it might be totally different with the Martin Logans. The best advice, as always, is to try out the equipment in your home and choose what sounds best to you."

I have always liked the MF A5 a lot.
If separates are a possible track, that would be a whole different ball of wax. Shooting for decent sound, control and power in excess of 100W in a pair of even used separates for under 2 grand is a tall order.

The product that immediately comes to my mind would be a used Odyssey Stratos amplifier with the Cap upgrade for power and possibly an Odyessy Candela tube preamp. This combination could be had for under two grand. It is only 150W but it has tremendous current capacity - which I think is more important for control and dynamics.

Another idea could be finding a Rotel RB 1080 (200W/ch) and RC 1080 preamp used.

Not sure either of these pairings would perform considerably better or even as well as some of the really very good integrated amps recommended above - and they would take up more space.

In general, good luck with this.
Good point about possibility of using existing integrated or pre and loading up downstream with watts and current in a separate box. JI2 originally asked for info about a new integrated - which led me to think they have need/want for both control and power amp in the same box.

This brings up the question of relative importance of power and pre amps to the sound that would eventually emerge from 804's. Perhaps the Rowland had the juice, but not the finesse? Or some kind of impedance matching difficulty? Not trying to argue a point here as much as throw an idea out there for folks to react to. I guess I think both control and power are important to overall sound, but am starting to think Preamp is critical link...

JI2, if you can get a Blue Circle NSCS for under $2K I think you may want to try that and flip it if it doesn't work out - doubt you would lose much in the transaction.
Nope, don't own and am not selling any Blue Circle gear. I do like how they sound and have a soft spot for hand made gear from builders with a passion for music and elegant designs. Blue Circle gear is hand wired with no unnecessary circuits in the way and they sound like it.

In general, I like solid state and tube gear that are dead neutral to just a bit on the warm side. For example Naim, Musical Fidelity, ARC, Cayin, PrimaLuna, Simaudio, Shanling, Vincent, Primare, and some Classe, some Conrad Johnson, some Mark Levinson, some Macintosh and even some NAD pieces. While I crave resolution, I am not crazy about super dry solid state gear, and I have very little experience with ultra high end amps.

With that said, many of these makes and other suggestions you have gotten in this thread list for well over your suggested budget and are not likely to be available at any given time on the used market, and/or don't have the power needed to drive your speakers.

Yes I like the Blue Circle as a potential one-box match for the 804's because it should sound similar to the Classe with a bit more detail and refinement - maybe not quite as good as the BAT (a high bar!!!), but not far off either. Dollar for dollar, the Chinese companies are building some really great stuff these days, and the Shanling suggested above is a good deal. If the Blue Circle is too rich, I would look at the Shanling A-3000 or the German made Vincent SV-236 Hybrid, both available new within your budget and capable of driving the B&Ws.
Dcstep,

I hear you but watts usually cost about $25-$50 a piece in tube land, $10-$20 a piece in transistor land and $5-$10 each in switching amp land.

For some perspective and sympathy with your point - the best I have ever heard the little B&W CM1's sound is when driven by a 500W/ch Type D Rotel amp.

All I can really say is facts is what they is and budgets were made to test us...