Best cartridge for very old worn vinyl


Fellow vinyl junkies,
I have a weakness for old vinyl (particularly early oval Argo choral recordings circa 1958-1969).
Almost invariably these suffer from worn grooves, the effects of god knows what misaligned agricultural arms/cartridges over several decades, even the ones marked “near mint” by professional sellers.
I have a range of cartridges, including Decca London Reference, Koetsus, SPUs and Shure V15 111.
These go in an FR66 arm. Not all of these are necessarily ideal for this job...:)
What do you guys reckon is the best cartridge for these types of records?
Key requirements are not to be flustered by the challenges these ancient slabs of vinyl hold while doing the best job of producing something resembling music ?
Cheers !
howardalex

Showing 2 responses by lewm

The best version of a late 50s to early 60s Argo LP I will ever hear was a week or two ago when we went to the Kennedy Center Concert Hall to hear Ahmad Jamal perform on or near to his 88th birthday.  He was phenomenal; indeed, he is a phenomenon of age-defying virtuosity.  He even played Poinsienna [sp?] in a completely novel way.
Jperry and Chakster have offered diametrically opposing opinions.  From what I have read over years, I think Chakster is more likely to be on the right track.  Those old LPs are most likely to have been worn out with spherical and/or early classic elliptical styli.  So statistically your best bet for getting more music out would be to use a stylus with a different shape that contacts the groove walls differently from a spherical or elliptical. Most modern styli fall into the categories of line contact or microridge, although there are a bewildering number of names for very slightly different shapes, like Shibata. There may be reasons to hunt specifically for one particular shape that would be particularly good at contacting unworn regions of the groove, and perhaps someone else knows.