Best Amp for Timbre, Depth and Spatial Resolution?


I have an Ayre CD player, BADA Alpha DAC, deHavilland Mercury pre-amp, CJ MF-2500A amp and N802 - am looking to upgrade amp.
Would like to hear views on Best Amp for Timbre, Depth and Spatial Resolution.
Not married to tube or SS..
Always wonder about Stereophile recommended components such as Aesthetix Atlas, Parasound JC-1, CJ LP-125 and the likes. I would pay about $5k on Agon so there are some limitations.
Thanks.
johnmc67

Showing 2 responses by atmasphere

If you plan to keep the B&Ws, the Ayre is likely one of the better choices. This speaker does not play well with tubes due to the nature of its load (4 ohms in the bass, 8 ohms in the mids and highs). Four ohm loads should be avoided with tube amps even if they have a 4 ohm tap- almost any output transformer will loose a good octave of bandwidth off of the bottom end, simply by going for 8 to 4 ohms and the distortion is usually higher.

If you really want serve your amplifier investment dollar, the speaker should be either 8 or 16 ohms for best results! Even if you have a transistor amp, if sound **quality** is your goal, you will do better with a higher impedance speaker as the amp will make less distortion (read: smoother, more transparent). If sound pressure is your goal, there is a slight advantage to four ohm speakers, assuming the efficiency is otherwise the same.
Unsound, if you would like I can show you a letter from Steve McCormick that disputes your position. It was written to Paul Speltz, who is known for the ZERO autoformer and the Anti-cables.

The letter states that with the DNA-series amplifiers they sound better driving a 4 ohm load through the ZEROs as opposed to direct), wherein the amp is loaded at 16 ohms, despite the fact that the amp has no trouble whatsoever doubling power into 4 ohms and can drive that load all day.

I also have spec sheets on a good number of solid state amps. Take a look- you will see that the 4 ohm distortion level is always higher than 8 or 16 ohms. This distortion is composed of a variety of harmonics, including the 5th, 7th and 9th, which contribute brightness and harshness. Take those things away, or reduce them and the system is instantly more musical.