Bel Canto and Wyred monos


Hey all,

I've got a Mccormack DNA-125 driving my Martin Logan EM ESLs that I really love. Were it not for one big issue, I wouldn't even think about upgrading - and that issue is that it's really big. Like, too big for my rack, meaning it has to sit on top under my TV.

I decided recently to look for amps that were either standard component width or less, and two amps that keep popping up are the Wyred and Bel Canto monoblocks. Both would fit comfortably in my rack, and seem to be very well regarded.

My only concern is that I regard the McCormack so highly I'm concerned that these amps may not represent a significant upgrade in performance, despite the difference in price. I love it's almost tube-like warmth and musicality, and am a little concerned that with the Class D amps paired with my great but neutral speakers and my tonally similar Class D preamp (the underrated PS Audio GCP), things might get too clinical.

Has anyone compared either of these amps to any of the classic Mccormacks or similar AB amps?
hudsonhawk

Showing 3 responses by unsound

Hudsonhawk, not trying to derail anything; it's just that to my ears the McCormack amps present the opposite of a "tube like warmth".
The McCormacks have a tight extended rhythmic bass with an extended high end, not a tube like warmth which would indicate a soft bloomy bass and rolled off treble. The only things the McCormacks have in common with tube amps is a forward presentation and liquidity in the treble.
^I agree; "Either way it's a great amp, and a bargain for the money."
I suspect the Bel Canto and Wyred monos might be warmer than the McCormack. But I'd also guess that the more forward nature of the McCormack might offer more intimacy.