@onhwy61 I think small rooms are not helped by RT60, but Darko's room and many others are not small. I'll look for criteria regarding "small." You're raising a good point, and it would help everyone to know at what point RT60 is not applicable.
Beginner improvements for room acoustics; very helpful Darko video on reverb and RT60
I often find myself trying to help friends new to audio take their first steps toward improving their sound. Taming room reflection is, of course, the first step.
Many respond by saying some combination of "Why would I need that?" and "Isn't a rug and furniture enough?"
Darko's video explain the answer to both of these questions, and does so by explaining in layman's language what the sweet spot for reverb typically is, and why furniture and rugs are not often sufficient.
He describes a reasonable, middle way between going all out on room treatments and doing nothing. At the very least, he says at the end, do the ceilings.
Again, old news to many here, but possibly of use for some here and for anyone advising others.
Showing 7 responses by hilde45
@djones51 I'm interested to hear you say that about Darko. Your posts have always struck me as exceptionally well-informed, and I get a good impression from Darko, too. Can you tell me why you think he is generally untrustworthy or at least someone folks need not pay attention to? Thank you. |
@djones51 Thanks for expanding on your comments. My experience with both absorption and diffusion massively changed the sound of my room. I'm presently in a space with a 6.5 foot ceiling, and putting absorption on the ceiling was a game changer in terms of dealing with very harsh highs. I do have an unusually low ceiling, but I think it's true that unless one has ceilings over 9 or 10 feet (with the average, mid-field listening distance), ceiling bounce is a thing that really induces first-reflection problems. If that's right, then Darko's final piece of advice -- to at least do something about one's ceiling -- seems uncontestable. I know that all of this advice is dependent on the many specific factors involved. For my own part, I measured with REW's impulse graphs among others, and even used the "string method" to narrow down where the first and distal reflections were coming from. Then, I treated those areas. The result is a much wider, deeper, and articulate soundstage. People who come over to listen are usually amazed at what they hear, given the visual cues of the space. |
@nymarty I have 703 OC panels affixed on the ceilings, pointing diagonally toward my chair in exactly the area where the ceiling first reflection occurs. |