I assume that you want a complete recording. Whether you consider it audiophile or not the best recording from an audio perspective is SoltiÂs on Decca/London. From a purely audiophile perspective, I think this is as close as you will get. It is also an excellent interpretation. The Telarc recording conducted by Mackerras doesnÂt offer a significant technical advantage over the Solti, only a difference in recording perspective and Mackerras singers arenÂt in the same league. On the other hand, the Mackarras set offers a fair amount of alternately ornamented arias so it is a set that should be heard by anyone interested in period performance practice.
The Gardiner on Archive, with period instruments, is also an excellent interpretation but it is recorded live, with noticeable audience noises and the recording perspective shifts. However, given these caveats, I would consider it a tie second place on recording quality alone and a much better interpretation than Mackerras. HarnoncourtÂs on Teldec is curiously recessed and distant. Since he uses a large orchestra this results in what I would call unacceptable sound.
The best performance, of what is arguably the greatest opera ever written, is in my opinion, Erich KleiberÂs 1955 recording on Decca/London recently remastered on the Decca LegendÂs series.
The Gardiner on Archive, with period instruments, is also an excellent interpretation but it is recorded live, with noticeable audience noises and the recording perspective shifts. However, given these caveats, I would consider it a tie second place on recording quality alone and a much better interpretation than Mackerras. HarnoncourtÂs on Teldec is curiously recessed and distant. Since he uses a large orchestra this results in what I would call unacceptable sound.
The best performance, of what is arguably the greatest opera ever written, is in my opinion, Erich KleiberÂs 1955 recording on Decca/London recently remastered on the Decca LegendÂs series.