Audio nirvana ends with planar/electrostats?


Always heard quite a consensus that the pilgrimage for lifelike hi-end speakers ends with electrostatic or magnestat speakers. Is that still the case today with top traditional design speakers like i.e. Avalon/Wilson ??

Has anybody of you tried to leave their beloved quad/Soundlab/Mlogan for a Avalon speakers type?

Avalons, seems not bad to many people, easy load, but possibly quite expensive(amp saving?)

On the contrary it seems that more power is needed for the electrostats/magneplanars but models are generally cheaper (more musical?)

In few other words, for a full musical experience and lifelike reproduction (jazz music) better to go for a ESL 989 or Soundlab speaker type and expend the rest of the budget for the right amplification, or go for a middle class Avalon ?

Has anybody of you critically audition their beloved electrostat/magneplan speaker towards a top notch Avalon ? Outcomes ?
Thanks for taking my request seriously and I know that we are talking helicopter view here, but I should start someway without making a too long and boring thread.
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Showing 1 response by newbee

Quad's are hard to beat, especially for jazz, but as others have said there are tradeoff's. Dynamic compression is the major one, sound level (not for jazz) is the secord one - they don't play loud, and pinpoint imaging can be hard to come by - reduces apparent resolution at times. They are not plug and play (for best results) and require careful placement and room treatment to get their best. Amplification makes a huge difference as well. After 5 years I got some full range dynamic's based on Dynaudio drivers and haven't looked back (much!-I still haven't sold the Quads!) In my book, for low to medium volume listening you just can't beat properly set up electrostats.