Hi Rushton, Thanks for the kind words.
I thought I might point out FWIW that in the last four years or so since you heard an MP-1 a lot has changed (we got a Golden Ear Award too...), as you might expect. The Aesthetix gear continues to be fine equipment, but I recommend anyone considering such gear to do a proper comparison before making a purchase.
The regulator in the older preamps was a large variable in the sound of the unit. Despite my appreciation of tubes, we are now running a solid state regulator that has performance that is two orders of magnitude better then the older tube regulator, which could fail while the preamp would appear to be running normally. The result is that many of the older MP-1s out there (including the one you heard) may not have or may not be performing according to spec. The new regulator has eliminated that issue, and also sounds a lot better regardless. There are a host of other changes as well, in the phono section, line stage and the power supply.
Like you I find LPs to consistantly outperform SACDs and DVDAs. I am still hoping that the newer digital formats will finally bring home the bacon, but it seems that won't be happening anytime soon. Additionally the lack of new titles is hard to swallow. I have a white label promo press of Take Five (not that I listen to it much anyway), why would I want an SACD of the same recording, now 40 years old? I would be a little more convinced if the Thin Red Line soundtrack was on SACD, but far more likely to buy it if it was on LP instead. Just nothing for it!
I thought I might point out FWIW that in the last four years or so since you heard an MP-1 a lot has changed (we got a Golden Ear Award too...), as you might expect. The Aesthetix gear continues to be fine equipment, but I recommend anyone considering such gear to do a proper comparison before making a purchase.
The regulator in the older preamps was a large variable in the sound of the unit. Despite my appreciation of tubes, we are now running a solid state regulator that has performance that is two orders of magnitude better then the older tube regulator, which could fail while the preamp would appear to be running normally. The result is that many of the older MP-1s out there (including the one you heard) may not have or may not be performing according to spec. The new regulator has eliminated that issue, and also sounds a lot better regardless. There are a host of other changes as well, in the phono section, line stage and the power supply.
Like you I find LPs to consistantly outperform SACDs and DVDAs. I am still hoping that the newer digital formats will finally bring home the bacon, but it seems that won't be happening anytime soon. Additionally the lack of new titles is hard to swallow. I have a white label promo press of Take Five (not that I listen to it much anyway), why would I want an SACD of the same recording, now 40 years old? I would be a little more convinced if the Thin Red Line soundtrack was on SACD, but far more likely to buy it if it was on LP instead. Just nothing for it!