At what point is an external D/A converter warranted or beneficial


Over the years and after multiple "upgrades" I've become disillusioned with digital audio reproduction. As my systems improved in quality/resolution, the digital audio quality has equally deteriorated to where most listening is now done in analog. This makes my CD collection of in excess of 1000 titles pretty much useless. My digital D/A conversion knowledge is pretty much limited to whatever is done by the internal D/A converter of the equipment. That being a Lexicon MC12B processor and Oppo BDP103. As my choices of ICs went from basics to high quality resolution improved with a marked decline in digital SQ. I'm at a point where any Redbook CD presents a harsh, edgy, shrilly, bright, name it what you want, upper frequency. Changing ICs back to basic cables attenuates this along with resolution of the music played. You might say I'm at a loss. Do I live with less resolution or the digital limitations. I do not have this issue playing analog media. Would an external D/A converter be beneficial or a waste of money? 
Systems are: B&W 803D2 and surrounds,  Lexicon MC12B, Oppo BDP 103, AQ Columbia ICs XLR & RCA,  AQ Digital ICs,  Tara Labs speaker cables,  Rogue Pharaoh, VPI Prime . Analog front end shares the L/R front speaker and input from the Oppo. 
Is there such a thing as an external D/A converter for a H/T setup as the Lexicon processor is the oldest piece in the chain with most likely the weakest D/A converter. But how would that connect to avoid the internal processing.
Any suggestions or recommendations?

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Showing 1 response by millercarbon

Well first of all your choice of wire is only making a bad situation worse. Since you have vinyl, if you want to hear what I’m talking about get yourself a few records on the AudioQuest label. Terry Evans Putting It Down, or Doug MacLeod You Can’t Take My Blues, or Mighty Sam McLain Sledgehammer Blues. These are all great blues, more importantly for this purpose they are all recorded exclusively with AudioQuest wire in the recording chain. Then you compare that with something like Janis Ian Breaking Silence, Doug MacLeod Exactly Like this or Dick Hyman From the Age of Swing or anything on Reference Recording label, or any of the three Linda Ronstadt Nelson Riddle albums or anything else for that matter mastered by the great Doug Sax at The Mastering Lab. Listen to those bearing in mind the recording chain. Its pretty clear the AudioQuest sound is lean, exaggerates leading edges at the expense of harmonic development, and is just generally less "there".

Just thought I would mention that because while yes digital is awful and its great you’ve figured that out, both your digital and your analog will be a whole lot more enjoyable as you migrate away from that sort of hifi artifact type sound.

So now with that out of the way, yes the D/A will be a waste of money. Which if we can be dead certain of one thing, its that that won’t stop everyone from recommending you do exactly that. So let me give you an alternative outside the box idea that will actually make a difference.

Lots of people notice when they copy digital onto tape and play it back it sounds better. So you could go that route and get R2R. Which will totally give you audiophile cred. Bonus points to the max. But honestly, just about any HiFi VHS deck with decent tape will get you there, and for a lot less money. I know. Its what I did way back when I could barely afford the CDs let alone the player but I had a VCR. It works because the way HiFi VHS records audio is so good.

Anyway unlike any possible DAC ideas this one might actually make your digital listenable.