Are horns and hi-eff designs becoming more popular


I feel they are but wonder what others think? Since today one can build hi-eff designs in most any type of loudspeaker. With many new hi-eff transducers availible. Hi-effs not just front or back horn designs anymore.
johnk

Showing 2 responses by atmasphere

Mlsstl, the 'honkiness' you refer to is real, -but- it is usually an artifact of using the wrong kind of amp on a horn. Amps with low output impedance can get strident and honky as the highly reactive horn driver can put an amp with lots of feedback into conniptions!

IOW to experience what horns are about is usually done with zero feedback amplifiers. All of a sudden its a different world: horns can and are every bit as extended, relaxed and detailed as the best ribbons.
Mlsstl, I've heard horns that honk too. That does not mean they all do! I too have been at this a long time as I suspect many of the 'goners have, like you about 40 years also including professional recording and mastering. As you know, having access to good mics, master tapes and the like is a boon to developing any kind of reference so it is in that light that I ask you to view this next statement: some of the most neutral speakers I have heard are horns. Add to that list: ESLs, magnetic planars and regular cone systems.

IOW its how neutral the speaker is, not what kind of technology it is. I find the more neutral the speaker, the more it sounds like other neutral speakers, the more it sounds like the real thing.

Horns, in being neutral (which not all are), offer the benefits of being easy to drive and fantastic impact. What I **thought** was hard for them was getting the last bit of detail that a good ESL can- I had that thinking dashed at the last CES when I heard a horn that ceded nothing to ESLs in the transparency/detail department. **Without** question, horns have been an advancing technology in the 21st century.