Are all streamers the same?


Dogma says they’re all the same. Experience suggests otherwise. Price may or may not be guide. Are there solid tech reasons such as bleed of noise into the digital signal? What does “it’s all about the ‘implementation’”really mean? How come power cords and interconnects make a difference? For example, there are numerous USB cords that separate the power from the signal cables to minimize interference and noise transference.

Why don’t we have an accepted science of audio, as yet? Where’s the research compilation esp at textbook level? Yes I’m happy just listening and using my ears and my biases to make judgments; no problem.

Yet I continue to see dogma, from the USA and Europe, indeed everywhere, that remains steadfast in their disbelief in variances. It becomes tiresome at times. But hey what do I care? Lol, my pursuit of fidelity and knowledge remain equally strong.

johnread57

Showing 2 responses by mahler123

I have a room correction device from shm . In addition to the basic Dirac RC I bought a unit that for an extra $109 threw in a streamer. I’ve since compared it to the Node, Bryston BDP-3, Melco N 100, and Cambridge CXN 60.

The Dirac is fine but the enclosed streamer is awful.

In general I have found that as one ascends the price ladder in streaming the better things get. For me the sweet spot are the CA and the Melco in terms of performance and price. The Bryston as a tad better but cost several times more and the software package was unusable