ARC LS25 or Pass Labs X1??


Here's my current setup:

ARC LS-15 line
ARC PH-3SE phono
SOTA Star with AT OC-9 cartridge
Classe DAC-1
Classe CDT-1
Valve Amplification Company PA 160 MKII monobloc's
Sonus Faber Cremonas
Transparent and MIT interconnects, Harmonic Tech speaker cable and I run it balanced.

Here's the problem:
The VAC amp imputs are too sensitive for the output of the LS-15 (the volume control doesn't get much past 9 o'clock and it's loud at that point). Further, the volume increments on the LS-15 are very coarse.

Solution:
Finer increments on the volume control (I like having a remote volume control) and/or adjustable output sensitivity on the linestage.

I've narrowed it down to the LS-25, MK I or II, or a Pass Labs X1 and will likely buy used thereby limiting my audition possibilties. I like transparency, coherence and soundstaging in my system. I've had ARC for a long time (SP-11 MKII before the LS-15) but find the Pass Labs linestage appealing. Both have adjustable output (although it's unclear how it's done on the ARC) and finer increments on the volume control.

Any thoughts? Any suggestions keeping in mind the need for adjustable output sensitivity/finer increments on the volume and balanced outputs? BAT SK30SE looks interesting but probably too expensive at this point. Someone had mentioned that the LS-16 had lower output than the LS-15 but I've not been able to confirm.

Regards
barolobrain

Showing 1 response by raquel

Forgive me for not responding to the question you posed ("ARC LS25 or Pass Labs X1??"), but consider the following:

I had to sell a CAT Mk. III preamp because of its high gain which, combined with the sensitive inputs of my VAC Renaissance 140/140 Mk. III monoblocks, likewise gave me no play in the volume control. I have since had a Hovland HP-100 preamp and currently use a Rowland Coherence II preamp, both mating very well sonically with the VAC amps. Both have much lower gain than the CAT (which has nearly 30 db. of gain). The Hovland had no remote. The Rowland has 99 volume steps, a good remote control and gives all the control over volume one would ever want. Rowland's Synergy IIi preamp is close in performance to the Coherence II and can be had for roughly $3k used. Both Rowland preamps are true, fully-differential balanced designs (they feature balanced inputs and outputs only).

Because I believe that the differences in sound between good preamps tend to be subtle (with, very generally speaking, tube designs having an advantage in soundstaging and solid-state designs being more quiet), perhaps you would want to widen your list of potential candidates. In this regard, you may wish to add the Rowland Synergy IIi to your list (as far as fully balanced preamps go, it is certainly a major player).

PS - I have owned an ARC LS-3 preamp for ten years (it still anchors my second system).