Any one tried the Yamamoto A06 with AD1 tube?


I have been searching to find the sonic characteristics of the AD1 tube when compared to DHT like the 45, 2A3 etc.

I find the 45 mesh plate by EML to be the finest tube I know. I quite like the 2a3 EML mesh too, but find it doesn't have the beauty or musicality of the 45 mesh. Although it has more authority. So I wondered if being so linear whether the AD1 with its 4w was a super 45?

I haven't found any reviews of the yammy A06 (mk1/mk2 or mk3). Is it that rare?
chadeffect
Hi Crubio

Following the previous post, can you say more about the difference you found between the "less lively" A06-3 and the A 08s ? before I order an 06-3 this week, or an A08s !
I like "lively" and I also like the special quality of the 08s' 45 valves (EML meshes). The AD 1 valves reputedly have close to the 45 magic. If you did not find this, it would be good to hear more. (for use with 104db Loth X Troubadour Stamm driver horns). Cheers.
I'm the guy that bought the 06-3 from Cesar. I do Love the 06-3 Yami it has many many more pluses than minuses.
I'm also a huge fan of the 45 tube sweetness and tone. Being a Lowther guy I hate hiss and hash at idle or between tracks. I also Love the WOW factor....when friends see and hear my system. I'm building myself a one of a kind Parallel Single End 45 amplifier. I commissioned a circuit designer from Yugoslavia to help me with my ideas. I'm in the process of having a professional Double C-Core transformer maker ( from Holland ) make the trannies. He tweaked the design even further. I should have the amp built and tweaked by July's end. Much much more I can say. I'm sorta thinking about going into production with this amp. Thought I'd run it buy some guys and see how it is received.

Kind Regards
Hi Crubio
Following Chadeffect's post, can you say more about the difference between the "less lively" A06-3 and the A 08s, to guide me before I send the deposit for an 06-3, (or an 08s) this week.
I like the special quality of the 45 mesh plates in the 08s, and had planned to order one. I have since understood the A06-3's AD 1 valves give close to or the same magic as the 45's, yet with power headroom and other advantages (for use with 104db Loth X Troubadour Stamm driver horns). They're both beautiful, but sound capability / character is more important to me.
Paul. Why not ask Crubio ( who no longer owns any Yamamoto ) what he moved up to / replaced his Yami Gear with. I think he mentioned to me Shindo... I can tell you about the A-06-3 cause I now own it. I made a few tweaks (Cesar didn't know what he had). I actually have it in my rack right now just above it I have a Jeff Korneff 45 amp - I have 2 sets of 100+ db full range drivers I can play them both at same time or turn one or the other off using passive volume control to equal volume to sorta compair apples to apples. The answer to your question is "It Depends" ..... Which is best matters on many many things. Very hard to get all the ducks in a row. That's why great amps come along on the used market.
I didn't intend to suggest that the AD1 is a life-less tube, it's just different from the 45. I have been trying a series of amps, the linear A by Tom Evams was very promising. At this point, I'm steering towards a 45 or a 300B type SET amp. What are your issues with the 300B?

Thanks,

Cr