Another Music Direct Catalog observation


I didn't want to hijack an existing thread about the current catalog's Joni cover so I started this one.

You know, I was thinking about this after I received my catalog and how burned out I was on "boomer music". I know as a Gen Xer, I've been saturated by Boomer culture since I came of age in the 80's, and my appreciation for these artists has waned in part because of their saturation in audiophile circles.

Yes, the MD catalog does pay lip service to contemporary artists, but its adherence to a musical paradigm that peaked 45 years ago or so is symptomatic of the undeniable waning of "hi-fi" as a hobby.
simao

Showing 2 responses by winnardt

The one thing I know for sure is that today's artists have moved away from the wall of sound developed by Phil Spector and I miss that sound a great deal. Multiple instruments playing the same part, brass and woodwinds, strings over the top, and backup singers calling back or repeating what the lead sang. To my ear, the wall of sound adds so much interest to a song and I can find myself ignoring the lead and singing the backup parts (I could have been a Pip). Speaking of the Pips, the wall of sound technique was also incorporated into a great deal of Motown recordings as well. Today's music just sounds so stripped down that it doesn't hold my interest, even if the melody is decent.
Much of today's pop music also sounds very similar, because it seems like to be a hit a song has to fit into a more and more narrowly defined structure of what constitutes a hit. I'm a boomer and of course I'm biased, but I think the period of 1972-1975 had so many different styles of what was acceptable to be a hit. You had the folk rock of the Eagles and Jackson Browne, the soft rock of America and Bread, the hard rock of Led Zeppelin, Rolling Stones, and The Who, the pop rock of the Carpenters and Elton John, the glam rock of Bowie, and the progressive rock of Pink Floyd, Yes, Rush, and Jethro Tull, as well as a huge number of Motown acts. They were experimenting and developing and unlike today, were given more than just one album to develop their sounds. 
Is there good music still being made today? Absolutely, but it's not what's being played on the radio and it's much more difficult to find. The one suggestion I have for people seeking good music is to look past the hit songs of even these artists from the period I mentioned and try to find deeper cuts because many of those deeper cuts are great as well. I find it kind of sad that even classic rock radio stations of today all have such small playlists. There's some great stuff from 1972-1975 that didn't make it big on the radio but still deserves a chance to be heard.
mijostyn
I get that you were making the point that the Beach Boys used the wall of sound technique as well, but why in the world would you think I don't have Beach Boys discs since I admitted I'm very fond of that sound? Of course The Beatles, The Beach Boys, The Supremes, Dylan etc. (some of whom used the wall of sound and some didn't) of the 60's were phenomenal, I just think the creative element peaked somewhere in the early 70's and the wide range of what was acceptable to be a hit also peaked in the early 70's. With disco so prevalent later in the 70's (I actually like a few disco tunes, just not the genre) things changed and corporations took over and corporations decided who was going to be heard. And even though Elvis is thought of as a sexually charged performer, there was an even bigger shift to the sexuality of the performer being as important as the music with Prince and Madonna in the early 80's.