Analog Upgrade Suggestions Welcome


I am thinking of making several upgrades to my current analog rig.

Current system: click here

First, I am thinking of upgrading my VPI HW19 MKIII to the MKIV. I would like those with first hand experience to tell me if the upgrade is worth the money, and what I can expect to hear in improvement. I am currently using the SDS and SAMA modifications.

Second, I am thinking of upgrading my cartridge. My Sumiko Talisman Alchemist IIb is almost 15 years old and is ready for retirement. Some A'goNers have recommended the Shelter 501. I didn't want to spend more than $1000 for a cartidge as the majority of my listening is still redbook CD. I am open to other suggestions. I want the best cartridge for the money. Also, I am leary of buying such a fragile item used. I have heard others on A'goN say they'd never buy a used cartridge. Please share any experiences out there; good or bad.

My current cartridge has an output of 2.0mV which I assume means high output. Will I need a step-up transformer for a low output cartridge? Is the Shelter 501 at 0.4 mV considered low output? My Classe Six preamp has a phono section. The preamp comes with resistors that the user can change out to match the volume control knob position to the level of line components. I assume I'd need to change the resistor I'm using with my current cartridge. Otherwise I'd have to turn the knob way up to get enough gain with a cartridge with an output that's 1/5 that of my current cartridge. Is that correct?

Thank you all for your help and suggestions.

Cheers!

Mark
mstram

Showing 4 responses by msiebers

I have to disagree with Doug about 12.6 Hz being too high a resonant frequency. IMO, it is just about perfect. See the following link for a more lenghty explanation. http://db.audioasylum.com/cgi/m.mpl?forum=vinyl&n=16350&highlight=compliance+range&r=&session=

I have used the Shelter 501 on a well-tempered classic. To my ears, it had a touch of honey added that might not be a good match for an already warm system. Also, it had a somewhat distant perspective. Still, it was always musical with excellent resolution and bass response in my system. Stereo imaging and depth were exceptional.

Mark, if the sonic attributes of the Shelter appeal to you, I say go for it. It is a great match for your arm.

Mark, good luck with your cartridge. We are all lucky to have so many good choices.

Doug, the original poster asked about the Shelter 501, and I was attempting to shared my experience of how it sounds. I believe the character of the sound will be essentially the same on his equipment. I tried to include the equipment I used at the time to give the context of my experience with the shelter. I apologize if this was confusing.

Doug, I feel you have misjudged my post. It was not a personal attack, but a request for you to share your experience. I asked for the basis of your opinion because you have presented your conclusion without detailing the experience that led to your conclusion. I have been following the discussions of resonant frequency on the vinyl engine and AA by headshell/hybris. He has stated several times that a higher resonant frequency is desirable, and that has matched my own limited experience. I feel that tracking improves with a higher resonant frequency.

What is the bass frequency that is affected ? If it is the low bass (20-40 Hz), that would explain why many would not hear the impact, since most systems Iincluding my own) do not reproduce this range.


Doug, "Audible Effects of Mechanical Resonance in Turntables" is the name of a paper published by Poul Ladegaard at the 1977 AES convention. It is available for download at www.vinylengine.com --> Forum --> Members download area Miscellaneous, then select "Audible effects of mechanical resonances in turntables".

According to the paper, too low a resonant frequency contributes to: excessive rumble, wow and flutter, tracking force variation, bass intermodulation distortion, and increased susceptibility to feedback. The conclusion of the paper is to recommend resonant frequency in the range of 15-18 Hz.



Doug, I agree that analog equipment has improved, however, the issues created by too low a resonant frequency do not go away with modern equipment. The issues presented in the article deal entirely with the tonearm, cartridge, and record. As the article states, Wow and flutter, distortion, mistracking, and rumble can be caused entirely as the result of too low a resonant frequency.

I have read some other posts that mention a lower resonant frequency enhances bass response, but this could just be the result of bass imtermodulation, as mentioned in the article.

As far as your experience with changing counterweights, I believe that this type of activity will change resonant frequency less than a hertz, which I do not view as a comprehensive test.

So, I believe that you hear a difference with higher resonant frequency combinations, but perhaps it is the absence of bass intermodulation that you are hearing! I have an open mind on the subject. At any rate, thanks for sharing your experience. I admire the energy and enthusiasm you have for analog.