Am I totally nuts or just a bit off?


A few weeks ago I came across about a hundred old mono pop jazz albums from the fifties in storage I had forgotten about.
Had some extended(3am extended) listening sessions using a Shure M78 S(sperical) tracking a little over 2 gms on my trusty Sony PS-X7 .

Sure seemed to me that mono was way cool especially in the LOW listening fatigue factor. Going on a Goodwill road trip next week-LOL,

Tell me again, why was stereo invented?
schubert

Showing 2 responses by whart

I remember walking into the Record Collector on South Highland in Hollywood years ago (i think this was the 'old' store) and seeing these behemoth speakers (old Electovoice, if memory serves, about the size and 3/4's the height of a Sub-Zero refrigerator); one in the front room, and one in the side room. I commented to the owner that his stereo image must suck; his reply: 'stereo is a gimmick.'
Since then, I have collected at least 500 or more vintage mono records. Some sound spectacular. The Starker Kol Nidre on Mercury Living Presence is one. The cello just stands out from the mix in a way that the stereo version doesn't.
I am seriously contemplating a second arm with a mono cartridge to serve up these records.
The (relatively) new reissue of the Julie London record is mono and pretty remarkable sounding. Ditto, if memory serves, that old warhorse of the first Nina Simone record that has stayed in print all these years. (on the Bethlehem label).
Schubert- any of the usual suspects, music direct, acoustic sounds, etc. should have it. It was done by Boxstar, which surprised me, since I was very disappointed with another of their remasters. But, make sure it is the 45rpm. I have an original Liberty pressing down in Texas, but I haven't listened to it yet (since my gear, RCM, etc. is not there yet). Good luck and enjoy. Cry Me a River is worth the price of admission.