Allocation of analog resources

@feemoore12.  
 I sure understand the feeling though. When I did this the first time I knew that I would feel like and absolute idiot if this enormous expense didn’t pan out. It would be a permanent mark against the pursuit and my judgement. 
Having done this many times now I realize the risk is not that high.

The Audio Research PH5 is a good phono stage I have had a PH2, Ph2se, ~PH5, PH8, and now a Reference 3. All great phonostages at their price points.

@whart “front end also consists of a phono stage”

… he is very correct. The Phono stage is critical and inexpensive usually means highly compromised sound. My phono stage now costs the same as my turntable/arm/cartridge, but my system has sounded pretty good at 1/2 the cost of my TT/arm/cartridge. I think phono stages get good at around ~$5+ new.

I personally only buy used components with no moving parts. Mechanics can be misused and damaged in subtitle ways. Typically all electronic components work or they don’t. But my point of view is I don’t take things apart.



@femoore12 “This was a risky move to go from a sub $1000 turntable/tonearm/cartridge/phonostage/amp to components that are 10 times that in cost.‘

I adamantly disagree with this statement. I do understand that when you do a purchase like this it feels like a huge risk. But in reality it is not. Moving up in cost by 10x… unless you do something terribly wrong is a virtual guarantee of a jaw dropping, wonderful improvement in sound. This is the quickest and surest way to awesome sound. You cannot do it blindly… but this big of jump covers minor errors.

You could argue the risk is that if you just don’t care about the sound quality it could be a let down. But I don’t think you would be inclined to make such a move unless you already knew yourself well enough to know you do.

The quickest way to be frustrated by this pursuit is to trade sideways expecting big gains. To jump 10%… or 25%. Many of us have done the 10x and it proved the incredible opportunity for enjoyment and ongoing sonic improvements that are possible,

I owned a VPI Aries for twenty years with a JMW arm and a $2,500 cartridge. It was very synergistic with my system. I now own a Linn LP12 with Koetsu Rosewood signature. With the table and arm I would double or triple the cartridge investment. I think the table and arm would support that.