Advice on Sterling LS3/6


I learned on a UK Spendor forum that Derek Hughes is retiring and closing down Sterling Broadcast.  They are clearing out inventory at excellent prices - mostly LS3/5a V2 and V3, but also a few other models.  I'm looking at the LS3/6. The regular price for the LS3/6 is $6000/pair  and the sale price is $3300 (plus $600 shipping to the US).

One pair of LS3/6 have been shipped to Jeff Stake, a dealer in Indiana.  I told Jeff I may be interested, but I've never heard them.  I could drive down to audition them (I live in Chicago) but I thought I'd check on Agon to see if others have experience with them.

I currently have Spendor SP3/5 R2 speakers in a small room.  The LS3/6 would go in a new listening room, 17x23 ft.  I will be using them with Bacch4Mac and a solid state amp (undecided, but probably Starcrimson monoblocks).  Qobuz is the source, over a Bluesound streamer with LPS and English 8 switch.  I'll use the Bacch's RME DAC.  I like vocals (Melody Gardot), Argentine Tango (Gotan Project), Van Morrison, Duke Ellington.  Seldom crank it up.

To my mind, the real alternative is a Harbeth 30.x or C7ES3.  At Axpona I heard a Spendor Classic series (not sure which) that I really liked but the cost is beyond my budget (over $10k).  Any comments would be welcome.

Latest review of the Stirling LS3/6 is from The Absolute Sound (where the retail price is listed as $9995):

 

Ag insider logo xs@2xtreepmeyer

Hi,

I've just joined the forum as I spotted this thread.

I'm the guy that visited Doug Stirling earlier in the year to find that he has health issues and needs to retire, but had a fair amount of stock left. So I took on the challenge...

I updated his web site and the attractive prices for the LS3/6s, and SB-88s, are down to me - I looked at his competitors products and how they were perceived/reviewed in the market and repriced his speakers, which had got priced quite high, to more realistic levels.

In the case of the LS3/6 I took into consideration REG's review that put the LS8/1 and LS3/6 on a level playing field if you added a sub to the LS3/6, so the price difference should go a long way towards that.

For the SB-88 I therefore did a similar price reduction, comparing to the latest Harbeth C7 version.

And then cut the prices by 30+ percent as we were selling direct, so Doug still gets a decent amount whilst they present a bargain for the buyer. There is actually another 7% taken off the prices shown on the website for direct (non-eBay) sales, which helps with the shipping price.

Once the stock has gone I will be taking control of all the spare drive units, as we have quite a few, but I shall also make a note of those drive unit substitution recommendations above (after clearing them with Derek when I next talk to him).

Derek Hughes is still consulting for Graham Audio and is quite busy, but he has designed and is building, along with his daughter, high grade crossovers for our LS3/5as so I can upgrade them from V2 to V3.2 in order to sell them more easily. Consequently I have become a dab hand at making tygan grills, although it still takes me 50+ minutes per pair :-(

For anyone after LS3/6s we have 6 pairs (I thought it was 4 or 5, will have to check) of cherry left, plus another four pairs I could build up but they don't have grills - I might look to make some though.

And we have quite a few pairs of SB-88s left, in different veneers.

And limited numbers of v3.2 LS3/5as as I convert them. I've been an LS3/5a fan all my life (nearly 61 and own ls35a.com) and these are the best I've heard, baring my ones with external crossovers.

I've no financial interest in Stirling, other than receiving a few speakers and other bits for compensation for time and petrol and other expenses (over 3k miles now going there and back to work).

If you email sales@stirlingbroadcast.com it will be me answering.

Andrew

And referring to the driver changes, the OEM drivers in the LS3/6 and SB-88 are actually SEAS units anyway - the bass driver has some custom doping applied by SEAS to Derek Hughes specification.

Same with the original bass drivers used in the LS3/5a V2 and V3, they are SEAS units with custom doping applied by SEAS.

SEAS have changed their business model though, and will not now supply those drive units unless in very large quantities.

This was one incentive to get involved with the sales, to secure those drive units so they don't get 'lost' when the company shuts down.

My 11ohm LS3/5as that use the Cicable external crossovers requires the SP1228 B110 variant, and those drivers are available anymore, so I wanted to delay the time that that is the same situation for Stirling speakers.

I also wanted to secure the stock of the Scanspeak tweeters used in the early V2s, as these are also not now available and the replacement uses different mounting points. My Xtracable external crossover require this tweeter. This tweeter does seem to fail often though, so I might eventually have to start recommending the Hiquphon OWI-92 tweeter as the only option.

The situation with the LS3/5as is somewhat relieved by later V2s using a Swisstone driver, which is a Volt produced driver with more Derk Hughes specified doping applied.

As we have around 60 pairs of these, and I can source more if I need for servicing, when I do the conversions of V2s to V3.2s I am replacing any SEAS bass drivers I find with these Swisstone units, so increasing the stock of spare SEAS LS3/5a bass drivers. Derek has designed the v3.2 crossovers to use either bass drive unit, according to some jumpers on the PCB.

So anybody who buys a v3.2 with the SEAS bass units in is able to switch to the Swisstone units if needed later in their life. There will be some V2s out their wth the Swisstone units, but all other V2s and V3s will be SEAS and so may require the SEAS spares. 

We have quite a lot of the SEAS tweeters used in the LS3/5a and the topmost tweeter in the LS3/6, but these have also proved to be pretty robust.

 

 

The Stirling LS3/6 is such an amazing speaker.


I own a pair and I recently purchased the Harbeth 40.3 XD a few months ago and let me tell you, the LS3/6 is not embarrassed by the big Harbeths. 
The Harbeths work better for me because of my large room but I did not sell the Stirling because I felt in love with their sound many years ago when I first purchased them and I am still in love with them.

Their sound is natural, their midrange is addictive, they match nicely with a variety of tube amps, they are beautifully crafted, they are transparent to the source, man, I should stop cause I can go on and on forever.

I might add that Andrew did a phenomenal job packing up the pair of LS3/6 that I bought.  Jeff Stake was a pleasure to do business with, too.