That is strange, especially when you were able to set the crossover on the sub to 25Hz. My experience is that with subs properly positioned and calibrated imaging improves and the soundstage expands and think that should be no different with your Harbeths. I’m perplexed.
Adventures With Subwoofers
My System:
Aurender N20
MSB Discrete DAC
Accuphase P4600 Amp
Harbeth C7-ES-XD Speakers
The Harbeth’s are -3db down at 45Hz. They have useful output down to around 35-40Hz. I wanted to fill out the lower octave from 40-30Hz.
I started with two REL T/5X subs I successfully integrated with the ATC 11 speakers I owned previously. They were -6db down at 55Hz.
After weeks of effort with these subs plus an older REL T3 I gave up. No matter what combination of crossover and volume I could not prevent the subs from bleeding into the lower midrange. The result was a loss of air and soundstage openness. Even at the lowest crossover the result was the same. Even voices were affected. I realized that these RELs especially when using the High Level Speaker connection are bass reinforcement and not true subs. I think if I had a way to externally crossover them and use the low level connection they might work as the REL/Harbeths would no longer be doubling the 35-60Hz range. But there would still be overlap in the 70-120Hz range. That would also mean the beautiful Harbeth upper bass and low midrange would now be appropriated by the RELs. So I sold the two T/5X subs and gave the T3 to my grandson for his gaming system.
Then one day I decided to ask ChatGPT why the RELs could not be configured to stay out of the midrange. The AI said it was because the RELs had a crossover slope of 12db per octave and that I should try a sub with a 24db per octave slope and recommended the JL Audio d108.
So with a 30 day return option I tried the D108. After about two weeks of testing I found it much better specifically because I could set the crossover to between 25-30Hz. But in the end I still noticed, to a somewhat lesser degree, the same artifacts especially on voices and soundstage openness. But I really loved the sub itself. Very well made and powerful. So I moved it to my home studio where I had just purchased Genelec monitors and it blended perfectly.
I really don't have an issue with the Harbeth’s low end response as almost all music sits in their range. I listen to predominately Classical and value an open airy soundstage which I get from the Harbeths. I was hoping by adding a response down to 20-25Hz I might improve soundstage depth and support the lower harmonics. But I strongly prefer their response without subwoofers. I think if I listened to mostly Pop, Jazz, EDM or Soundtracks where I would not notice the soundstage openness as much the subs would work. But I crave that concert hall liveness,