I'm pretty interested in these transmission-line, full-range speakers. Has anyone spent serious time with them? How do they compare to other contenders around $16K?
Unfortunately, I'd have to fly to SoCal for an audition, so I'd like to vet them as thoroughly as possible before committing the time and expense. Press has been very positive but also very limited, and user impressions are scarce on the web.
So how many hours of break-in do they require? Do you toe-in or point straight ahead? (I have mine pointing about at my ears) I'm currently using an Atmasphere M60 OTL.
Got my own Crescendos a few weeks ago to replace some Ocellia speakers. They have better top end, better imaging, better bass than the Ocellias and they are not even 1/4 broken in yet. So far very happy.
Thanks for the replies. Given that my mono-blocks use a total of 24 tubes I only have them on for 6-8 hrs a day, I don't even have 75 hrs total. Today a good friend brought over a ss amp/tuner that I can leave on 24/7, maybe in another 4-6 weeks I'll hear the "magic". Stay tunes, I'm hoping to report back some amazing impressions.
Ejaynycrrcom I use the Crescendo's in a 16 x 28 x 10.5 room and they are about 8 feet out into the room and they easily pressurize the room, and they are not anywhere broken-in yet!
So I'm approaching the 250 hr mark on my Crescendos and they are finally starting to "relax". I thought they were going to be to hi-fi sounding as I find most multi-driver cone speakers sound IMHO. For over 12 yeas now I've been a no crossover design lover (Beauhorns and then Ocellia) and yes these are "different" sounding than those crossoverless designs but they are anything but hi-fi sounding. (Boy am I relieved). They are dynamic, soundstage like none of my others, and the height of players and instruments in the soundstage are just right.
My Crescendos are 8 feet out into the room and 8 feet apart (measured from the inside of each speaker) and I sit 9 feet in front. I actually like sitting closer you get better depth and feel more part of the music.
Mcondon I'm located in NH just 45 minutes out of Boston and have them playing 24/7 (still breaking in) in a dedicated room about 16" x 26" but on the short wall and 8 feet out from the front wall. Send me a note and come by for a listen. Steve SOS
Charles1dad you are so right. Just because something costs more doesn't make it better. I myself have learned the hard way, a Kondo SOUGA amp ($50K) was easily beaten by an Atmasphere S30 (with the right speaker...not the Crescendos) and my Kondo M1000 MKII (95K) was beaten by the SMc VRE-1b pre. Expensive is not always better!
I use several with good results. An Atmasphere M60 or Novacron (both with Zero auto-transformers) or a Merrill Audio Veritas. The Merrill gives you all the headroom you would ever need.
I am selling the Crescendo's now because I've lost 3 sales direct to AZ, not a good thing for a company to undersell a dealer so will sell them at 55% off list but must be picked-up. Sorry if this is the wrong place to announce.
grannyring, the M60 did a very nice job for all but Rock n Roll 98 dB blasting music. I listen to 90% jazz and had no problem. Yes the Veritas drives them without breaking a sweat but can lack some of the liveleness of the M60's.
Sorry for the late response just been very busy! Yes the Zero's with the Atmasphere and Crescendo combo worked better than just the Atmasphere M60's alone. You are correct that OTL's like a flat high impedance load and I set the Zero's so the Atmasphere saw a 12 ohm load not the 6 ohm load the Crescendos normally present. Got better bass and could play louder and yes the Zero's are not as transparent as going without but we all choose pluses and minuses and in the end the M60's with the Zero's on the AZ was a better sounding alternative.
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