accuphase compare to mcintosh


1-For the moment i have a mcintosh int and i would like to know if the accuphase int have a better bass impact and dynamic.

2-What is the difference between accuphase and mcintosh in sound signature.
thenis

Showing 2 responses by nvp


Boy this got out of hand ... hopefully I will not make things worse.

Firstly, we shall all agree that Accuphase vs. Mcintosh is like MAC vs. PC, i.e we have two camps that almost never agree. One should never disregard this and make bold statements (irrespective whether these statements are correct or not).

Secondly, It is also important to realize that both these brands are very expensive and often highly overpriced in most parts of the world (let's leave USA and Japan aside). Because of this almost always they are partnered with top of the line speakers and since both brands make pretty decent electronics almost always we hear good sound from both brands. However, it seems to me that when compared directly Accuphase wins almost always, e.g. my dealer who carries both brands says he sells 3-4 times more Accuphase than Mcintosh units (the two brands have comparable prices here in Europe).

Personally, I would always choose Accuphase over Mcintosh. Firstly, because of the sound. To my ears Mcintosh amps always sound slow and dark (by dark I do not mean having black background but I mean colored), they also do not image as well as Accuphase amps. Secondly, because of the build quality the Accuphase devices are much more luxurious, e.g. Mcintosh potentiometers and buttons feel rather cheep. Because of the facts mentioned above, I consider Mcintosh to be an expensive (and more versatile) Musical Fidelity, i.e. not bad but not up there with the big boys.

Hi guys, sorry for the late reply.

Tzh2ly: The terms faster and slow refer to the attack of a note e.g. the key of a piano or the strings of a guitar or harps, and not to the tempo(speed) of the music (i.e. bits per minute). Of course, a whole orchestra consisting of 30 or more people can not be very fast. Regarding the term color, in the hi-fi jargon this term is used to express deviation form neutrality. This is what I have also meant. Of course having some color (i.e. deviation from neutrality) is often a good thing (nobody wants to listen music in an anechoic room for example).

Audiozen: Regarding the slew rate of an amplifier, by looking at its definition, i.e. the maximum value of the time derivative of the voltage, I would say that the slew rate of an amp is equivalent to the acceleration and not to the RPMs of a car. One can always make analogies between mechanical and electrical quantities. By doing so one can find that charge plays in electricity the same role length plays in mechanics. Thus, using Ohm's law (for a given constant resistor) and the fact that electrical current is the time derivative of charge one obtains that the slew rate is proportional to the second derivative of charge with respect to time. Since charge is equivalent to length, and the acceleration is the second derivatives of length with respect to time it should be clear that the slew rate should be associated to acceleration and not to RPMs (after all RPMs is just a number it have no units).

Best wishes,
Paul