A nice discussion of reviewers priorities.


I was wondering from anyone that has followed a reviewer if you could tell me of ones that prioritizes what I do? 
I value the artistic expression of music. So I presume micro details that are presented in a natural way are important in that regard. For example I know I get caught up in how a note on a guitar is played differently by diffeent musicians on different guitars, even how the individual strings are played either by themselves or in a chord. The different tension and how long a note is held, whether it is hammered or picked.  Maybe it is because I play that instrument.
Also the closer it sounds to the real event is nice. What I mean by that is that everything coming over my system needs to fit timing wise and timbre wise for me to connect to it. Those are valued details that don't get lost on me.
One thing that is low on my priority list is soundstaging or imaging.  I don't pay much attention to that.
I hope this lends itself to a nice discussion that we all benefit from.
I figure I can benefit a little more from the reviewers that I am more inline with, and l hope you would also.
Please if you are real familiar with a reviewer share your thoughts.
Thank you
marqmike

Showing 2 responses by bdp24

Art Dudley is such a good writer, he's enjoyable to read just for the writing. He really puts the music itself ahead of the "sound" of music, faulting gear that itself doesn't. It's a subtle distinction, since music is, after all, sound first.

But the idea is, Gordon Holt (and Harry Pearson, for that matter) critiqued hi-fi in terms related as much to photography, a static medium, as to music, which is not. Art's point of view is that the temporal performance of a component (it's timing, forward momentum, etc.) is more important than it's static sound (accurate timbre, lack of coloration, transparency, etc.). And the physical dimension---imaging---is for him a very low priority. But the "size" of instruments---the bigness of a grand piano, the smallness of a mandolin and fiddle---Art refers to that as scale, IS important to him.

Yup, Art Dudley. The ability of a component to convey the musician’s "touch" is a very high priority for him. That, and the "forward momentum" of the music---PRAT. He no longer plays his LPs on a Linn Sondek turntable, but he’s a Linnie. Surprisingly for a lover and player himself of acoustic music (Bluegrass, and he loves acoustic guitarist Tony Rice), the accurate reproduction of timbre is not a high priority for him. Weird.