A Budget Amp Comparison
Budget Amp Comparison – Crown, Nuprime, Parasound
Everyone who begins their journey to audio nirvana probably begins the same way; with a bunch of research and wondering if they have spent “wisely”.
For those just starting out or just looking to make a change, this is a comparison of three budget amplifiers. All three seem to have found a pretty good market following which probably means their price/sound performance is acceptable. Hopefully this comparison/thread will be helpful to new people entering the hobby…and hopefully this thread will invite comments from others who might have additional ideas about starter amps around/below $1000.
The three amplifiers are:
Crown XLS 2000/2 Class D ProAudio Amp - $499 new
Nuprime STA9 Class D Home Audio Amp with a Class A input stage - $649 new
Parasound Halo A23 high bias Class A/B Home Audio Amp - $995 new
(The most obvious amp missing from the group is the Schiit Vidar at $700 which also has a pretty good reputation and deserves consideration)
The other equipment these amps were paired up with during the comparisons include an Oppo 103, Parasound 2100 preamp, Tekton Lore loudspeakers, Blue Jeans RCA Cables and homemade OFC stranded, twisted, shielded speaker cables.
Crown XLS 2000/2002
The entry end for a new amplifier is probably $4-500 and the Crown is a pretty interesting amplifier at this price level. Designed by Harman International for pro audio applications but with consumer audio connections included as well (RCA inputs & banana/spade/bare wire speaker connections). This is a class D amplifier which Harman engineered to be powerful, reliable, clear, stable with tough loads and stable with crappy AC line voltages that might be found at a music venue.
The XLS 2000/2 has a surprisingly powerful low end, very wide soundstage extending 3’ beyond the speakers (but not very deep), decent midrange and top end. The Crown is silent with a black background and relatively musical overall.
A couple of great and really appreciated features include “no speaker thump” turn on and gain controls located on the front of the amp. The gain controls are fantastic when you have 98db efficiency speakers like the Lores. With no gain controls, you often only have the preamp/DAC at the 8-9 o’clock position and the loudspeakers are screaming…but if you also have a subwoofer that is connected to the preamp, you likely have to turn the sub gain controls all the way up which can sometimes compromise the sound. With the Crown XLS2000 you set the amp gain down allowing you to set the preamp volume up and your sub will sound its best. (You can also use the gain controls to equalize the left right volume if need be without the degradation you can sometimes get from balance controls).
This amp is insanely powerful…1050 watts into 2ohms per channel, 375 watts into 8 ohms and 650 watts into 4 ohms…bridgeable to mono with over 2000 watts. The input voltage required to drive to full output is 1.4 volts so it can pretty easily be driven directly by most CD players and DACs without a preamp.
On several occasions I emailed Crown with questions and always received a prompt reply that was helpful.
My overall feeling is that this is a really good starter amp for someone on a budget, for a second system, for a college kid, etc. Pretty good sound, bullet proof, tons of power, lots of connections, and all the connections needed for double duty use in dj applications and other pro audio type gigs as well as home audio…and less than $500.
Nuprime STA9
The amp is beautifully packaged and this by itself gives you a certain level of confidence as you open the box. In most (but not all) areas, the STA9 is a step up from the Crown. Although the soundstage presented is not as wide, it is deeper and more dimensional. Although the bass is not as powerful, it is more tuneful (better pitch). The midrange and top end have better definition with slightly better instrument separation. Head to head, the Nuprime sounds more musical.
Both the Crown and the Nuprime are class D and weigh about 10lbs…but the Nuprime is about half the overall size. Nuprime says it designed this amp with a Class A input favoring 2nd order harmonics. This may explain why the Nuprime idled at 103 degrees and ran at 107 degrees while the Crown remained at room temperature and the fan never kicked on. Like the Crown, the Nuprime is also dead silent and has a very black background.
A couple things I didn’t appreciate so much about the Nuprime: the on/off switch is on the back, it frequently thumped my loudspeakers when turning on and of (as well as when the oppo or the preamp turned on and off) and it didn’t have gain controls which made it much more difficult to integrate with the subwoofer.
The Nuprime is rated at 120 watts into both 4 ohms and 8 ohms and bridgeable to 290 watts mono.
Like with Crown, my email correspondence with Nuprime was always answered in a timely manner.
Based on sound alone, this amp is worth a try. You may not experience some of the things that bothered me…or they may not bother you. If you don’t need the power of the Crown and you have a little more money to spend, this might be a good choice.
Parasound Halo A23
The Halo was also beautifully packaged (double boxed) with a very clearly written manual included. Parasound describes this amp as high bias Class A/AB…meaning that for the first watt or two, it operates as class A and then operates as A/B as more watts are used. (Pass labs has a very nice description of what actually happens http://www.firstwatt.com/pdf/art_leave_classa.pdf ) I can’t say that I actually noticed any difference or if there was actually a change from Class A to A/B but I can say that in my system in my room, the Halo sound was a pretty big step up from the Nuprime (which was a step up from the Crown). The soundstage can best be described as immersive (deep and wide) with a strong, detailed low end, detailed and silky mids and highs with good instrument separation and very musically engaging.
Like the Crown and Nuprime, the Halo has a black background with no speaker hiss whatsoever. The Halo has a very effective relay that never thumped my loudspeakers. The operating temperature remained under 90 degrees for the first hour and then gradually climbed to 105 degrees by the third hour so ventilation may be needed. The Halo has gain controls on the rear and the on/off switch is on the front.
The Halo is rated at 125 watts into 8 ohms, 225 watts into 4 ohms, is bridgeable and will drive 2 ohm loads but not at full power at 20hz. Email response from Parasound was also quick.
If you can afford $1000 (new) or $700 (preowned), this is the best sounding amp of the group and deserves strong consideration. Another point worth mentioning is resale; Parasound has a good reputation and their products seem to resell pretty quickly on Audigon with prices that hold up pretty well over time.
Final Thoughts
Until you have a chance to try a piece of equipment in your home in your system in your room, you can only speculate as to what it will sound like and what quirks will drive you crazy. No matter how good the reviews and forum comments are its definitely worth the price of return shipping to try equipment for a few weeks before deciding.
Not sure what happened but the removed posts, not posted by me, had suggested one of the oddysey amps, khatargo, and van Alstine amps, synergy 200, both in the $1000 range... both seem like reasonable suggestions for this thread. Hopefully someone can comment on the specific merits for these amps... |
Like many on this forum, I'm always interested in learning something new...so I googled "Parasound Parastic Oscillation" expecting I would find a number of articles and postings about the subject as relates to Parasound amplifiers...but I didn't. "not sure what that means though" What did pop us was an interesting article on the Hifisonix website reviewing in great detail the Ovation e amp...and several times within the long article, the author specifically commented how John Curl's designs had taken steps to avoid the parasitic oscillation problem...see link. Since I'm not qualified to offer any electrical engineering/amp designer insight I will just say that I suspect that if this were a problem causing failures, Richard Schramm would have dealt with it long ago as it seems that he tries to run a professional, top notch company. (I have no affiliation with Crown or Nuprime or Parasound) http://hifisonix.com/ovation-e-amp/ |
As for the Vidar Halo comparison...you can read one such comparison on this website...they don't like the Halo but they really like the Vidar. Having not heard the Vidar, I can't comment..but obviously, as noted in my review above, I didn't hear what they heard vis a vis the Halo. In my system, it was open, punchy, deep and had a nice soundstage and presence with no bite or harshness. http://www.superbestaudiofriends.org/index.php?threads/schiit-vidar-impression-thread-updated-with-r... Hopefully, there are more people than can comment on their own direct comparison. |
@michaelgreenaudio.net I suspect that most of us, especially as the price goes up, are reluctant to make any changes to a piece of equipment that might void the warranty...and therefore, usually not knowing what changes would be problematic, we leave things alone. In my mind, it brings up another question: A lot of gear is resold on Audigon...and sometimes that gear is sold with a particular tweak/mod which is described in the posting...do most potential buyers view these mods as improvements to the product or potential problems down the road that will be hard to get repaired and therefore avoid the purchase? |
Maybe this will help get the thread back on track...for me, the big takeaway is that there can be a surprising sonic difference between budget amplifiers...therefore, listing as many budget amplifiers as possible (that people have lived with in their own systems) along with their sonic characteristics could be helpful to those trying to decide "what do I try next...or which amps should I compare"? |
One of the "intents" of this thread was to reinforce an idea that is woven throughout hundreds of forum threads/comments: that you can enter/enjoy this hobby without spending a fortune...that "budget" equipment can sound pretty darn good....and that there are enough differences in sound to make it worth a person investigating what might suit them the best. My hope was that people would add their own experiences with these three amps...and put forward additional budget amps/receivers that they think also sound good at a budget price and therefore worth discussing and considering....in other words, more points of entry or possible upgrades for consideration. As for budget tweaks to budget new or preowned equipment, I suspect that it is unlikely that new people entering the hobby will want to go this route and more likely that they will want to just straight up buy a budget product that has been well reviewed....maybe a new thread is in order; "budget tweaks resulting in better sounding budget equipment". |
