A Black Box to Solve Everything


Tubes vs. solid state?? There's a thread out right now about this exact question (there always is), but I didn't want to take it off subject. So my question is; is there a device that could go between the preamp and amp that has variable harmonic distortion capabilities? I know there are tube buffers, but they are not really addressing the point because they use line level signals and don't have the distortion of a good 300B tube being pushed beyond its limits. My thinking is that of a black box with switches and knobs to adjust harmonic distortion to mimic different tube types. It would also have to have a bypass switch so we could readily and quickly A/B the thing. Any ideas?

koestner

Showing 3 responses by bdp24

Indeed, @jonwolfpell. I wince when I see someone describe an amp as adding "tube warmth" to the sound. That’s not what good tube amps do; what they do is not create the "cold, hard, dry" sound of bad solid state. I always loved the term J. Gordon Holt used to characterize the sound of the best tube amps: liquidly transparent.

I vividly recall the first time I heard "grain" in the sound of electronics. I was already aware of the term and concept from photography, and to then hear tiny little "clumps of sound" in the sonic "picture" a hi-fi was creating (one with solid state pre and power amps), in contrast to the grain-free liquidity of the sound the ARC system (pure tube, not hybrid) I was comparing it with was creating, was clearly audible.

The appeal of tubes to me has always been not what they add, but what they don’t.

THAT'S the one @clio09! So it's a pre-amp, not an amp. I'd love to hear Nelson and Ralph Karsten discussing the related subject together. Roger Modjeski too, but that's not going to happen.

About a year ago I watched a video (on YouTube iirc) in which Nelson Pass spoke about an amp he was working on, one that was intentionally designed to add harmonic distortion to the input signal. He also explained the rationale for doing so. I could be mistaken, but I think it may have been in an interview with Steve Guttenberg, recorded in Nelson's listening room.