A battle between two turntable generations. Which one is the winner?


Being an electronic and acoustic enginner, I've worked for well renowned Companies in Germany, that led me to listen to all kind of analog equipments, from turntables to tonearms, cartridges... I love the analog sound!

While I've had the EMT 927 and 930, the SP-10 of all versions, VPI's, Thorens, etc... I ended with my reliable Garrard 301, that I bought brand new in London, England. Believe me, a well engineered plinth for the Garrard 301 transforms the 301 in an outstanding turntable.

Time passed and my beloved Fidelity Research FR-66 SS tonearm was substitued for the magnificent (and a bargain!) Trans-Fi Terminator (best linear tracking tonearm I've experienced). When I felt that it was time to change the Garrard 301 for a new one and based on the positive reviews, I emailed Bruce McDougall, the designer and owner of ANVIL turntables to quote a turntable that could suit the Terminator Tonearm. (Linear tracking tonearms need a VERY stable plinth to perform at best) because I would like to compare the Garrard with a contemporary turntable without breaking the bank.

The ANVIL comes complete (you can name it "turbinated") with adjustable motor board (adjustable string tension), adjustable arm board, the new bearing model and the proprietary magnetic levitated footers.

To make real comparisions, the only thing that I changed was the Garrard 301. Victor Patacchiola's tonearm (Terminator), Audio-Technica AT50ANV Limited Edition (the most natural cartridge ever!) and Steven Huang's Audio Sensibility Impact SE phono cable remained the same.

The main LP that I used (and accostumed with it, too) is a fabulous recording of Switzerland's vocal jazz "BRIGITTE BADER MEETS JOHNNY GRIFFIN", very very rare limited edition by ARS of Germany. Many japanese audiophiles that I know use this recording to "tune" their systems. If you come across this LP, please buy it! This is an all analogue recording made with purist techniques and direct recorded on a Studer B67 recorder.

Although the Garrard + Terminator show their positive potential on track 3, "HOW LONG HAS THIS BEEN GOING ON", (oh) boy!... the Anvil + Terminator is in a different league: it transformed the already perfect soundstage in an outstanding presentation. All the authoritative bass present in the Garrard (probably due to idler wheel drive??) stay there, but with tonal nuances never heard before. The Anvil is unbelievable quiet with perfect speed stability . Certainly the new bearing and a massive platter contributes for a clarity on complex passages that I have not ever experienced before. At $3700.00 (the price that I paid for the Anvil "turbinated with accessories") is a bargain if compared with some turntables that uses plastic, MDF (oh my God!) and other "fancy" materials. The Anvil is of all metal construction and is HEAVY (about 60lbs) and certainly this contributes for the supreme results.

I'm not affiliate with ANY companies mentioned in this review. I'm just a passionate audiophile searching for the best and this combination made my ears smiling!

Would you like to share with me, fellow Audiogon members, your impressions and thoughs about your phono system? Cheers!, Jose.
ultima700

Showing 9 responses by harold-not-the-barrel

Ultima, very very interesting. I´m familiar with the Trans-Fi arm since its first appearance, late 2008. I´m also experienced both maglev platter and feet with outstanding results. Now the Anvil TT with its " A/C motor with innovative pulley design and thread drive" is something very special too.

Many thanks for letting me know that new High-End deck.

Cheers,
Ultima, congrats. Your metallic combo TT/TA is very beautiful, and both Anvil and Terminator do justice to each other. Particularly in sound quality.
Excellent !

bdp, I know what you mean. Describes my feelings nine years ago when I ordered a new design linear TA from him. It´s always been Christmas ever since when Vic sends me something :)
Keeping the wand short reduces resonances within the arm which typically colours the music. It is probably one of the major influences contributing to the overall sound of a tonearm. Manufacturers of conventional pivoted arms go to great lengths to try to eliminate resonances. They have a hard job!

- Vic

As for warped records, they sound surprisingly good on the Trans-Fi arm.
As for both very low compliance (Entré - 1 MC) and very high compliance (MM) carts, they both fit nicely the Trans-Fi sonically. Distortion in particular is no issue IME.

- Harold
bdp and all, I have used the Trans-Fi arm on my VERY soft/sensitive ORACLE DELPHI MKII w/ relatively light spring suspended subchassis with outstanding results in sound quality. Although the mass of the arm´s wand ass´y w/ carrying saddle is about 100 g as it moves across the vinyl, this practically does not affect on anything mechanically not to mention to sound quality.
Actually it is impossible to see any movement of the suspended sub ass´y during wand´s travel across the vinyl surface. Of course, the suspension of an ORACLE must be PERFECTLY balanced. AND the arm as well obviously. This is the wonder of vintage ORACLEs, perfect balance also with a certain modern linear TA .
All that "linear trackers don´t work with light subchassic tables" is woodoo IME since 2008.
Terry, what is the pressure meter you are using and where can I found one to try. I´m also interested to know what the actual pressure is and its effect on sound.
Terry, there are too many on eBay and Amazon so I really can´t choose the appropriate ones. If you could help me with one, I much appreciate.
As for surge supression, I can experiment that later.

Unfortunately the Salvation deck is no longer available, sure it would be a very special TT.

Wait a minute... Anvil truly is the Salvation incarnation. Oh dear, yes it is !
Hats off to Bruce McDougall !!
Terry, thanks. You can list it on A´gon or eBay or whatever suits you best and I will buy, normal Air Mail will do just fine.

The Salvation incarnation ? ... can´t see anywhere...