7500 for USED cables? Are they joking?


I've been out of high-end audio for about 8 years, and the thing I am most struck by on my return is the apparent acceptance of power cables, interconnects and speaker cables that cost as much or more than heavy-duty high-end components.

As a now-outsider of sorts, this really looks like the Emperor's New Clothes big-time. Especially power cords, considering the Romex that delivers the A/C to the outlet isn't exactly audiophile quality.

Are people really paying $500 and up for wire? Is this foolishness of the highest order, or is this what people now believe it takes to extract the last percent or two of definition from their components?

What happened? Even buyers of what are now considered "modestly priced" cables would be laughed out of the professional audio world, so why do audiophiles think they need something better than was used to make the original recording? MOST professional recording engineers scoff at the difference between microphone cables that cost $19.95 vs. those that cost $49.95 -- most anything higher is rarely considered at all (the most expensive microphone cable might be $125 for a 20 foot run, and it's laughed at by most of the pros).

I'm not criticizing -- I'm too stunned to draw any conclusions -- I just wondered if anyone has given this much thought.

(At least I understand the home theater revolution -- thank heavens something came along to save the high end manufacturers, although it makes me chuckle to think of someone spending $30,000 to watch the Terminator. It's OK with me.)

Thank you for your consideration,

Mark Hubbard
Eureka, CA
mark_hubbard

Showing 1 response by jadem6

Paul and Sean, I think your both right. A lot of the recordings today by the "factory" studios may indeed care less of the quality than the budget/ profit. The sound of these recordings is placed in history and will never be better than the least component used to create it.

To me the fact that the "Audiophile" labels exist and sound as good as they do is some sort of proof to that. If the master tape is good (often the case in older classic and jazz recordings) then the better equipment will show this quality. If the playback equipment is lesser however the final presentation will also be less.

I guess it depends on your source, if you listen to a lot of the newly recorded "music" from today's mass production studios than forget wire, just sit back and enjoy. If however you have a lot of "audiophile" labels, recorded as purely as possible, then I would recommend using the best possible equipment to take full advantage of the potential left by the studio.

This discussion of cables bores me as a topic, but draws me in with the hope that new audio lovers don't get led astray with wrongful thinking.

I too have auditioned over 40 cables, to claim there is no difference is simple naive and ill informed. This site deserved better.

J.D.