300b lovers


I have been an owner of Don Sachs gear since he began, and he modified all my HK Citation gear before he came out with his own creations.  I bought a Willsenton 300b integrated amp and was smitten with the sound of it, inexpensive as it is.  Don told me that he was designing a 300b amp with the legendary Lynn Olson and lo and behold, I got one of his early pair of pre-production mono-blocks recently, driving Spatial Audio M5 Triode Masters.  

Now with a week on the amp, I am eager to say that these 300b amps are simply sensational, creating a sound that brings the musicians right into my listening room with a palpable presence.  They create the most open vidid presentation to the music -- they are neither warm nor cool, just uncannily true to the source of the music.  They replace his excellent Kootai KT88 which I was dubious about being bettered by anything, but these amps are just outstanding.  Don is nearing production of a successor to his highly regard DS2 preamp, which also will have a  unique circuitry to mate with his 300b monos via XLR connections.  Don explained the sonic benefits of this design and it went over my head, but clearly these designs are well though out.. my ears confirm it. 

I have been an audiophile for nearly 50 years having had a boatload of electronics during that time, but I personally have never heard such a realistic presentation to my music as I am hearing with these 300b monos in my system.  300b tubes lend themselves to realistic music reproduction as my Willsenton 300b integrated amps informed me, but Don's 300b amps are in a entirely different realm.  Of course, 300b amps favor efficient speakers so carefully component matching is paramount.

Don is working out a business arrangement to have his electronics built by an American audio firm so they will soon be more widely available to the public.  Don will be attending the Seattle Audio Show in June in the Spatial Audio room where the speakers will be driven by his 300b monos and his preamp, with digital conversion with the outstanding Lampizator Pacific tube DAC.  I will be there to hear what I expect to be an outstanding sonic presentation.  

To allay any questions about the cost of Don's 300b mono, I do not have an answer. 

 

 

whitestix

Showing 2 responses by yoder

There are 3 or 4 sets of the final production Blackbirds in the world.  One is probably still in the boxes (go figure) as the person was building a new house or some such.  There is one guy who loves his and posted on the spatial audio circle I believe.   There are a few sets of the prototype ones in the smaller chassis with 6V6 drivers floating around and people like them.  But no one is really active on chat boards.  C'est la vie.   A review pair will make its way into someone's hands this year most likely.  The Raven preamp has had more people posting because it costs less and there are around 30 of the production ones out in the real world.

I have one of or the original stereo prototypes. I discovered it because of this thread though didn’t expect to be able to own one. I did see these amps (Blackbirds though they may not have referenced the name) brought up on another forum when I was looking up 6V6’s and it was brought up as a modern example/option using 6V6’s as drivers. I guess they didn’t know production version changed to KT88’s. I have some NOS matched pairs on order and am curious to see what differences they make. I still don’t know squat about tube design, but when I first got it I didn’t really know the difference between them and say similar looking 6SN7’s, but they seem like a great tube in their own right. 
 

There are a couple owners of the mono prototypes in another circle. I don’t think those owners will ever willingly let them go. The guy I got my stereo amp from definitely wouldn’t have sold it if he hadn’t gotten the monoblock prototypes. 
 

I still see Don Sachs preamps referenced and also notice Raven brought up as a top notch preamp option, even by non-owners.  There is definitely lots of talk about amps, but I see that people are more likely to roll through various preamps and DACs while holding onto their amp and speaker pairing once they’ve found a good one.  Other than not being many Blackbird 300b owners out there, there are many who don’t know about Don Sachs products, and many that do don’t associate with amps or especially 300b amps. Also experienced audiophiles I’m talking with in person who aren’t familiar with Spatial Labs. Some audiophiles don’t even visit forums at all to see such information if it is there. So only a few owners out there and I think there are a lot of folks out there that don’t know about the Blackbirds to chat about them. 
 

I hope Southwest Audiofest went well and generates some buzz. Has to be taken with a grain of salt due to all the variables, but always interesting to catch impressions from those who visit the feats. Too far for me, but I’m glad Gary and Lou got it going. I would definitely stop by and visit if ever at Axpona. 
 

$20k for amps is pretty unattainable for many consumers, but I’m glad there are those who can afford them so they can potentially be available on the used market some day. Are there any thoughts to a more entry level amp that could also pair well with the Raven as well as Spatial Labs speakers or similar, say 95 dB or better as previously referenced as a good sensitivity for ~20 WPC?

@donsachs 

The stereo prototype is a very fine looking and sounding amp, so the final versions must be amazing!  I went all in with this amp being my first 300b after reading up much on 300b's elsewhere prior to seeing this thread.  I did not comment much on the sound as I don't have previous 300b experience and am not great with such descriptions.  Also maybe not highly relevant to current models, but probably as close as I will get!  It does run a bit hot.  Not so much heat up the room to me, but the transformers are hot to the touch and it does need space around it to radiate.  Definitely not to be tucked into a small cabinet, but probably no 300b is.  To hide all these great looking tubes wouldn't seem right either.  The sound to me mostly matches up with how you previously described the prototype monoblocks (if I recall correctly something like SET-like tone and vocals, but the punch of push/pull).  I have yet to own a 300b SET, but for the tube tone I would say it does compare to one of my favorite SET examples so far - it compares favorably with my 45 tube monoblocks for tone such as guitar tone.  It does not get too soft or weak in bass response as I've experienced with some non-300b tube amps.  Bass is deep, powerful, and I think has very good pace.  Power wise with no measurements just judging by volume adjustment level, output compares favorably with a couple other well regarded 30 WPC tube amps that I have or had.  Right now I have 97.5 dB 6 ohm speakers in a medium sized room so no power challenge there.  I will have ~next year some 93 dB 7 ohm speakers in a large room and am curious to see how it will match up.  I only asked about more entry level options as that is usually my gateway to learning/hearing about the top level gear.