I am of the mind that "time alignment" is very important for the best 3D image.
I had been working on a replacement pair of speakers for my JBL L200/300s that would do justice to the female voice and developed the "Mermans" that use JBL 2241H (18"), JBL 2251J (9.5") and the ESS Great Heil. The crossovers use Audyn Q4 caps, heavy gauge air core chokes, and high wattage, Dale 1% resistors.
At first it was a matter of getting everything to play nice together. Then it was a matter of getting a smooth flat frequency response in the room, and I wasn’t getting it from the Heil.
So I made modifications to the Heil, and Carlos Santana’s amplifier jumped out into the room infront of the other instruments. It just happened! The RTA shows that the modification filled in a dip in the 3-8kHz range vasting increasing the "order of the crossover" and this is where the detail lies! Further modifications, and the soundstage and imaging are like anything I’ve ever heard at any price. And I have one-off, Altec Big Red Supers (triamped), LS3/5As, JBL L200/300s, and L112s), as well as have been to shows and showrooms (Magico, Focal, etc.) so I’ve heard some decent stuff. My source is an Oppo95 through a Yamaha RX-Z9 RECEIVER in "Pure Direct" mode. I use no eq or room correction, electronic or physical and the room is ~5,000 cubic feet. I can play clean to concert levels and believe that you need a certain amount of volume (i.e., loudness) to envelope you for proper imaging.
And, the other day one of the gents from AudioKarma came by for a listen. He has Altec 604 Hollywoods, ADS, and ???). On the first track (equipment not even warm), he said this was nothing like he’s experienced and he just heard a $100,000+ system with $40K monoblocks. He said he was going to have to re-assess everything.
BTW, I am in Orange County, CA, and anyone is welcome to come by and experience this for themself.