2017 vs. 1990s - How far we have come


Hi Everyone,

I'm just taking a moment to think about how far we have come in the quality and enjoyment of music over the last 3 decades or so. I'm listening to Jazz.fm at 96kHz/16 via a Squeezebox Touch an NAD D 3020, and custom speakers (free design is available here ) on my desk as I work.

I have to say, the sound is pretty fantastic. We do a lot of comparisons to evaluate the relative merits of any given system, but we choose what we compare to. If we compare what we can get now vs. in the late 1980's/1990's I have to say things are really really good, and we should all take time to think about that now and then.

My total outlay is around $800 in electronics + the speakers.

First, I can pick among almost any radio station in the world. When guests from China show up, I have a station from Beijing playing when they arrive. I have 3 or 4 really good jazz stations on tap. There's Spotify and Tidal (great old school catalog) in addition to my 800 albums or so, some hi rez, mostly Redbook.

Digital amplifiers and DAC's are sooooooo much better than they used to be. Some of the DAC improvements in the low/mid market is outstanding. Especially Redbook. Digital amps, even cheap one's, sound so much better than the initial trials around the 1980s I heard. I mean sooooooo much better.

Don't get me wrong, there's a warm spot in my heart for vinyl and tube amps. But let's not pooh pooh an all digital/Class D solution either. The convenience, price and features are really outstanding now.

There will always be room for a discerning ear however. I don't mean to say all DAC's and all Class D amps and all speakers are now great. They are not. I am saying that for the music lover and audiophile your entry level to really good sound is a lot less expensive than before. Let's celebrate this, and also celebrate that this allows us to share not just shopping experiences but culture as well. The better music transmission is, the easier it is to enjoy and share all sorts of music, and culture. We should delight in that.

Best,

E
erik_squires

Showing 5 responses by geoffkait

Pure bliss. The RFI/EMI not withstanding. On the other hand Boulder is probably relatively benign RFI wise. Aspen certainly was, especially at 8,000 ft.

alanholvey
geoffkait: I myself have no RFI/EMI problems whatsoever. Thus when I am playing a CD for instance, my system will be toally quiet between uts and of course when it completes its play. But my favorite test is when I am listening o local FM Boulder radio station late evenings when my audio systemgoes completly silent.

The silence between tracks and silence during FM broadcasts are not really evidence you have magically escaped the same fate as everyone else. Of course RFI/EMI influences are expected to be minimized at night. Everyone knows that. I would consider revising your first sentence to something like, I myself have no RFI/EMI problems whatsoever that I’m aware of. 😀 As said previously, you get used to the distortion and noise since it has always been there. Silence is relative, so is noise and distortion. The signal to noise ratio of some military electronics is way greater than any commercial audiophile stuff. Many orders of magnitude greater I’d opine. FM signal to noise ratio is OK, nothing to write home about, though. Besides who wants to listen to compressed digital?
We’ve perhaps come a long way in some respects but so has the RFI/EMI problem. It’s an order of magnitude or more worse than it was 30 or 40 years ago. Small wonder expensive systems oft sound like, well, not good. 💩 Are folks trying to catch the dragon and recapture the sound they heard 30 or 40 years ago?  

When I had my headphone rig I listened to naked Sennheiser 600s through a Woo Audio headphone amp and the world's most modded Oppo 103. Not...too..shabby.

One can’t help wondering if in the new 3D Thriller video they also make the sound three dimensional. 😬