2008 RMAF – – – all things analog.


I have two questions/comments on the 2008 RMAF below.

1) First thing…

Who’s Going?

I’m going for my second consecutive year. I enjoyed last year a great deal. I had wonderful discussions with analog types like Thom Mackris, Alvin Lloyd, Jeff Cantalono/Thomas Woschnik, and Frank Schroeder. I had time with my own LPs on all of their tables as well as quite a few others. I’m looking forward to this coming year as well.

If you are going to the 2008 RMAF, I’d like to know so I can meet some of you out in Denver.

2) Second thing…

Any suggested Table, Cartridge, Arms to pay particular attention to?

Again, If you are going to the 2008 RMAF, I’d like to know so I can meet some of you out in Denver.

Dre
dre_j

Showing 2 responses by quiddity

Ralph

Sorry for jumping on you but this keeps coming up and it's just not true. The Papst motor ex the empire TT has less than 2 watts of output power. Even the small Hurst motor and the Airpax (Linn etc) have more power (and therefore more torque) than that motor, the motor ex the Garrard etc etc.

Whatever you are hearing it's not motor torque that's causing it.
Ralph

You have repeated the Furphy about belt drive motors being "weaker" than idler motors. To use examples from this thread, each of the motors from the HRX has about 3 times the output power of the motor in the Saskia.

Doug

interesting how an interest in early music and an interest in speed stability appear to coincide. I (used to) sing as a countertenor and became fascinated by the music of the period of the great castrati.

Unfortunately the only L'Oiseau Lyre recordings I have are unlistenably noisy. They're as rare as hen's teeth over here, despite the label having been established by an Australian.

Trivia: the name means Lyre Bird in reference to the local bird (Menura Novaehollandiae). There are several musical references wrapped in that name - the lyre the British thought the birds tail formed, its famous ability to mimic any sound it has heard and the fact that one habitat near Melbourne is bisected by the Melba highway, named after the soprano.