lynn_olson
Responses from lynn_olson
| 300b lovers If we chose, we could have a switch that would alter the quiescent current for the driver section, so 6V6’s could be accommodated as well. All of these tubes have the same pinout, but the optimal current for the 6V6 is in the 25~30 mA range, while... | |
| 300b lovers The self-bias cathode resistor lets you choose anything between 6L6, KT66, 6550, and KT88. So far, the KT88 is winning, but the KT66 is very good also. We're shipping them with a matched quad of KT88's, but the user can use any matched quad in tha... | |
| 300b lovers The Kootenai is no slouch: a classic Mullard circuit (as used by Marantz and others) with 6SN7 input and drivers, PP KT88’s biased into near Class A, advanced B+ regulators, all on a compact stereo chassis. A clear step up from restored Marantz, M... | |
| 300b lovers Don and I were talking on the phone today, and I realized that, of the four to five key people involved, we might have two centuries of professional design experience in audio. I think Don and I might have a century; I filed my initial Document of... | |
| 300b lovers Don and I are moving towards production of the Blackbird 300B amplifier. We’re now using triode-connected KT88 drivers running at twice the current (56~64 mA per KT88) and one-third the plate impedance (Rp = 700 ohms) of the previous drivers. Not ... | |
| 300b lovers The problem of DC coupling vacuum tubes in a balanced circuit is maintaining DC balance ... during warm-up, in steady-state operation over hours, and as the pair age over the life of the amplifier. A small DC imbalance error in the first stage bec... | |
| 300b lovers One of the maddening things about the original Karna amplifier was sonic variability. Some days, it would be a glimpse of Heaven, and other days, nothing special. It was always extremely transparent ... that’s the nature of the circuit ... but the... | |
| 300b lovers Back when I was playing around with 300B’s, I found that each brand had its "sweet spot". The authentic 300B’s, and the exact reproductions, seemed happiest between 65 and 75 mA. The European super tubes, between 72 and 85 mA. The monsters with gi... | |
| 300b lovers Charles1dad, thanks for the compliment ... much appreciated. Don and I put a lot of work into these seemingly simple amplifiers. DHT’s had a rather short reign in audio (much longer in transmitting tubes). It was only from the early Twenties ... ... | |
| 300b lovers Which returned the Blackbird to the original Karna topology, with far superior power supplies, and the luxury of interstage transformers specifically designed for the Blackbird amplifier. I give Don full credit for doggedly trying every possible ... | |
| 300b lovers Yup. Wires, transformers, and 1930's vintage tubes. That's the entire signal path, from preamp input to speakers. | |
| 300b lovers Direct coupling would have no effect on tube loading, which is responsible for the spectra shown. If we were to re-do the article, we’d try a MOSFET cascode current source load, as well as transformer coupling, SRPP, and RC coupling. We were surp... | |
| 300b lovers Investigated in some depth in this 1997 Glass Audio article by Matt Kamna (designer of the Whammerdyne 2A3 amplifier) and myself: Hidden Harmonics We found that transformer coupling had the most favorable distribution of harmonics ... by that, t... | |
| 300b lovers Alex, the Shishido 811 circuit is basically uncopyable, since it relies on DC flowing through the secondary of the custom interstage transformer that goes into the 811 grid. Unlike nearly all other audio circuits, this circuit operates the 811 pow... | |
| 300b lovers To sum up, we have a circuit with big, simple tubes designed no later than 1939, combined with 21st-Century transformers and power supplies. In that sense, it is a hybrid amplifier, spanning 84 years of time and technology. (If you want the Black... |