frogman
Responses from frogman
| How do you add color? @noromance , you did indeed, Somehow, I missed your post. Unusual, since your posts always interest me, Credit where credit is due. Regards. | |
| How do you add color? I’ve been well, @inna . Thank you. It’s been an extraordinarily busy time, so not posting as much as usual, Hope all is well with you, | |
| The use of digital pitch correction software on vocal recordings As always, you rise above the fray and take the high road. You are a true gentleman. As tempting as it is to do otherwise, you force me to abstain from further showing the error in the ways of others 😊. | |
| The use of digital pitch correction software on vocal recordings @tylermunns , oh, please! Take a chill pill and relax, man. Obviously, I struck a chord (😊) with you. It should be obvious why I used the phrases that I used. “Pompous”? Really? Read your own words to see pomposity. I’ll make it short: The use o... | |
| The use of digital pitch correction software on vocal recordings Let’s bring this discussion “down to earth”. A little reality check, if you will. I am as much of a “purist” as anyone else; probably even more so. There is no question that the use of electronic processing in the music recording industry has bec... | |
| How do you add color? I find it interesting that there is scant reference in the OP and most responses to the simple fact that the sound of live music has a tremendous amount of color, naturally. So, when we talk about adding “color” should we not ask the question “com... | |
| Jazz for aficionados https://youtu.be/jfni3hHw_cc?si=qxaP8_WxJJQRhUCG | |
| Jazz for aficionados Great post! | |
| Jazz for aficionados Hi pjw, good comments. But, not sure I agree with a couple of your assertions. Pretty bold comment that Rollins was a better improviser than was Coltrane. From my vantage point to deem one better than the other is a bit of an apples/oranges issue... | |
| Jazz for aficionados For whatever it may be worth to any one listener, among current and recent tenor saxophone players there is something on which there is, I would say, at least 95% agreement. The three greatest tenor players have been Trane, Rollins and Henderson. ... | |
| Dynamic Range - the golden key to music nirvana? Good post, phusis. I agree with what you wrote, but I think you misunderstand my point. Headroom is great and I’m sure that in many cases it is a key contributor to the sense of “aliveness” of the system. However, I’ve heard heard plenty of sy... | |
| Dynamic Range - the golden key to music nirvana? Well, I guess that makes two of us. I have no idea what your comments have to do with mine. More specifically, why the argument? In a sense, we are saying the same thing. That is, that it is not maximum volume that expresses dynamic realism. I ela... | |
| Jazz for aficionados Great to read so many mentions and praise of Wayne Shorter. One of the true giants of this music and my favorite post-1960, or so, Jazz composer. As a player, one of the most notable aspects of his playing was how his improvisations became more ... | |
| Dynamic Range - the golden key to music nirvana? It is not ultimate dynamic range that matters most. Instead, what gives reproduced music its sense of aliveness (dynamic realism) is HOW the equipment handles the dynamic swings of the music. What is the point of being able to achieve concert hall... | |
| "The Night They Drove Old Dixie Down". For me, not even the great JS Bach can spoil, or even diminish, the greatness of Mozart, Scriabin, Janacek, Shubert and others. Seems to me that it is pointless and counterproductive to compare and judge as “greater”, for instance, Miles vs Armstr... |