PrimaLuna Prologue 5 and tube upgrades

Nothing getting through above 18K and you think that matters? You must be very young. Or of the canine persuasion. :-)

If you want to wake up the top end extension, definition and dynamics of your Prima Luna, without losing the aspects you enjoy:

1/ NOS Siemens or Siemens-Halske 12ax7. If you need a less expensive alternative, NOS Valvo. Among current production 12ax7, the Northern Electric 12ax7 and their Preferred Series 7025 sound particularly open.

2/ The bigger difference will be made by changing the power tube. Among current production KT88s, the cryogenically-treated Valve Art that tubeman.com sells is the burstiest, most wide-open KT88 I can think of, short of finding a quad of unobtainium KR KT88s from around 2000-2002 (I know where some are). For this Valve Art KT88, cryo makes all the difference in exactly what you're looking for. These tubes will have some glare and brigthness to them for the first week or so, and then settle in to a nice, linear character. Bass is also audibly improved over the Russian production KT88s, or the darker sounding EAT and Shuguang Black Treasure.

Phil

So this is common eq'ing with tubes? I'm not sure I'm patient enough or rich enough?!

most of the new manufactured pre tubes are awful for good tube equipment... I've yet to find any I like after prolonged listening although the Prima Luna tubes are a safe bet for a tube thats musical but not detailed. And the NOS tubes definitely have sonic characteristics. Mullards, Siemens, Amperex, and Telefunkens from early 70's and before seem to work well, after that tube manufacturing went down hill with the exception of some Eastern Europe tubes in the early 80's. And it does cost, hard to find good NOS tubes for less than $50 per tube with 12AX7's the dearest.

BTW I heartily recommend the KT-120's instead of KT-88's...they remedy the main ill's that the reviewers have critiqued Prima Luna Prologue for, dynamic compression and missing low bass. They will however shine a spotlight on any distortion from your pre tubes, I found this especially noticeable on complex choral passages and ended up completely reshuffling my pre tube complement to eliminate.

I've been reading about non-feedback topology amplification and it being prone to be frequency limitations if not matched with the absolute perfect speaker system. Truth to this? If so, where are these perfect speakers that will give me the sparkle back?