Preamp Deal of the Century


If anyone is looking for a true "World Class" preamp at a very fair price..heed my advice. I just recieved a Supratek Syrah preamp that was hand built by Mick Maloney in Western Australia, and it is absolutely beautiful! This preamp is the best deal you will ever find. I would put it up against any preamp out there for both looks and sound. Price? $2500 for the Syrah (includes Killer Phono stage). Not into phono? Try the Chardonney line stage for $2100. Don't get me wrong, I am not associated with this company. I am just a very happy owner! This preamp is VERY dynamic, yet liquid. It conveys the sound of music better than any other preamp that I have ever heard! You can check out the Supratek website at www. cantech.net.au
slowhand
I have found that the Zu Varial interconnects and Zu Ibis speaker cables work very well with my Chenin. I have no glare whatsoever, but my Chenin is modded to use 2C22 tubes instead of the often microphonic 6SN7. The 2C22s have no detectable microphonics whatsoever, you can tap on them, rattle the shelf ... nothing. I think microphonics may be a big reason for the glare sometimes heard in systems using 6SN7 tubes, hence the reason improved isolation has such an effect.
Ait - you have a good point - although my experience is that isolation under everything - tubes and SS - (even power supplies for TT motors) make a difference as do cables and power supplies - when you drop in the new cable and it is bright ( but more detailed )it may well be isolation or power supply filtering that is needed to solve it rather than another cable - none of us will will ong enough to try out all the permuations of products on offer but it does keep you off the streets - I have ended up with ball bearings for isolation, ribbon cable and actively sheilded power cables with bybees + v caps and alps RK50 pot on cortese - it all sounds pretty good but who knows if another approach would not sound better

Cheers
I have been using SRA VR3 iso bases under my Supratek Cortese preamp and power supply for years with no sign of glare. Just pure sweet music. I use the Berning ZH270 as my amp and no glare issues from it either.

I recently pulled all my more expensive interconnects and replaced them with Acoustic Research Master Series interconnects. The sound is better and the cost for 4 pair of interconnects came to a total of less than $100.

Glad to see the thread continues.
Pjwd, I am not sure adding hardwood under or over the metal plats is a good idea. According to Mick, the metal surface functions as heat sink. To prevent the metal plats from vibration - I place a small wet special sponge (the type becomes hard when it dries up) on the top and another small piece underneath. At least it gives me a solid sound when I knock the metal part.

Do I hear a difference? Well I can't even tell the difference between different cables. But in this case I think there's better control and clarity. Didn't really bother to do the AB test.

BTW, my AB test is the most reliable way. My better half will switch whatever cable, cones or tweaks without my knowledge in a few weeks or months after my initial craze over it dies. So far I can tell I didn't detect any difference when between cheaper speaker cables, bi-wiring, power conditioner except when the power amp connected to it.

Wonder if I should just stuck to mini compos?
I just found one of the Phillips E180F(SQ) tubes broken on my Grange. Any recommendations as to a substitute pair? Or should I stay with the same brand? I was happy with the sound but did find it on the noisy side. Good tube sources of late?

Thanks,

Crubio