Which 12AX7 tubes for EAR 834P phono stage?


I am experimenting with vinyls, and acquired EAR phono stage for a starter. I've compared the sound of EAR against Camelot Lancelot, and Sutherland PhD on two different systems. To my ears EAR sounds lush and smooth, perhaps a little too much so. I would like more lively and dynamic sound, like Sutherland phono stage. Can I replace the tubes in EAR and make the sound to the direction of more lively and dynamic? Or do I need to look for a different phono stage? I'm currently using a Rega table with Benz Micro MC cartridge loaned from my friend. I will be using a B&O table with moving iron MMC 20CL cartridge when I have everything set up next week or so.
jylee
I have a modded 834p deluxe. I use GE 5751 black plate silver clip in the first position closest to the front. Of all the tubes I tried, this tube gave the best extension on both ends and the best bass by far, not really a choice. The middle and end tubes took a bit longer to find a match. I was told by EAR that these positions are the left and right output tubes, but one is NOT for the right and one for the left. 1/2 of one tube is for the left, and the other half of the same tube is for the right, ditto for the other tube. This allows for a sonic blending.
I tried many combinations and settled on Sylvania black plate 5751 for the back position, and a Mullard cv4004 for the middle. The sylvania brings the vocals a touch forward with a wonderful midrange, and the Mullard has very nice extension. I could go on trying different combos for years, but at some point you say that sounds great, stop listening to the tubes, and start listening to the records again. I just recently added 2 of Herbie's "sonic stabilizers" to the top of the EAR, and was quite blown away with the improvement, the next day I ordered 2 more for my Cary slp-98. Highly recommended.
I'm working on my tube preamp right now which also employs 12AX9. After it's done I'll have a full arsenal of 12AX7 to try on 834P. It would be fun. I already have a set of Telefunken ribbed plates, RCA and JAN Philips 5751. I'm expecting Philips Miniwatts as well.
I currently have the stock tube in the V3 position (cathode follower/output stage) and NOS 1960's Amperex Bugle Boy 12AX7's in V1 (gain stage) and V2 (gain/RIAA equalization stage) positions and it sounds excellent. I tried some NOS 1960's RCA Command series 5751's in the V1/V2 positions and it sounded great too! The Bugle Boys have the soundstage depth and finesse of the 5751's with a touch more extension/sparkle in the highs and better bass extension and noticeably better midrange (which I've found that's where Bugle Boys in either 12AX7 or 6DJ8, excel at).

Happy listening to you,

Tim