re: phono preamps; is vintage ss any good?


is high quality solid state amplification from the 70s and 80s any good by modern standards? The question includes older ML, McIntosh, etc., which can be a relative bargain. I am wondering whether I must upgrade my c. 1985 DB Systems db-2A preamp (I am using only the phono section now, which was widely respected back in the day). I love tubes and share many audiophile's objections to the sound of ss, but it is hard to complain about modern high-dollar ss. I bought the $250 Bellari phone pre based largely on Fremer's rave; it may have tube warmth, but lacks acceptable clarity, imho, and I quickly reverted to the db systems. New phono pre's can be very dear, and I wonder how high up the food chain I would have to go to get acceptable sound, or if it's necessary.
128x128lloydc
Take this for whatever it might be worth. I agree with Mcpody to add Threshold to your list of candidates. I have a FET-10 which I took to a phono stage shoot-out at a friend's house. The benchmark was a Manley Steelhead. Out of six audiophiles present, three preferred the Threshold. For under $1K it would be hard to beat.
Pryso,

The FET-10 is a really nice buy. The build and parts quality of that preamp is astounding. Ever listen to the T-2?
Mcpody, no. My FET-10 is the only Threshold phono stage I have experience with. A friend built a fully regulated power supply for me and that takes performance up a step - I assume similar to the later version of the FET-10. I was told the differences with the later model were power supply and balanced output (?). All I can say is that mine sounds very good in either high gain (MC) or standard gain (MM).
OK, for you experts of vintage gear, I have a Threshold M1 Phono stage with a separate Model M7 power supply. Anyone have any info on this unit? Do you know of anyone who can check it out or repair it? Is it even worth messing with? I remember it sounding good in its day.