Hi Bob, yes this is great news. I am trying to enjoy the WV as much as I can the first few nights. I have read many comments that tube preamps can sound very good right out of the box and then they quickly sound horrible and then great again after 100-200 hours or so. So far, the WV is outstanding so I have not hit that "bad" period with 20 hours of play time and 20+ hours of standby time.
What is so cool about this preamp, line stage in particular, is its ability to support a huge library of tube types. The phono stage and line stage are typically suited for the 6DJ8/6922 tube family, but with a switch inside, so many others are supported. I have quite a stash of tubes from owning the Aesthetix Io/Callisto as well as several ARC, BAT and Counterpoint products since the mid 80s. But I also have tried out a few tube types I never owned before but purchased the last couple months while waiting for the WV to arrive. It is amazing how cheap some of these "oddball" tubes are on ebay. And one type tonight at $20 for five, really impressed me here. It displaced one of my favorite mid-priced 6DJ8 tubes by quite a margin.
The WV shows the sonic differences between the tube types to be the same characteristics as what I heard with the Aesthetix gear. However, these sonic differences between tube types are more significant now. I suspect it's due to the WV's greater resolving power. Some tubes are quite mellow with a most distant presentation and others give big and bold projection. So far the only tube that sounds horrible here is the 6H30...a quad that I had when I owned the BAT 31SE for 2 years. The stage was flat and objects were distant and muffled.
I own one coveted tube pair that is absolutely stunning in the CAT amps and the Aesthetix gear as well.....but their magic was most greatly achieved in the amps. And their stellar performance carries on in both stages of the WV. I lucked out and found another pair and will get those soon for the phono stage. And then all I have to do is repeat the process for one final pair.....for the line stage...once I get passed the "bad" period if it ever happens. But this cheapo tube that I got on ebay might just be the ticket for quite some time. Sure beats paying $200-400 for a pair of tubes!
It sounds like a complicated process but really it is only for 2 pairs of audio tubes. Mike Elliot loaded up the power supply with premium tubes that he hand selects for Counterpoint updated gear. I might play a little with one of the tubes but once I get the 2 pairs in the audio stages optimized, the lid goes back on and I can continue the WV's evaluation against other components in house.
John
What is so cool about this preamp, line stage in particular, is its ability to support a huge library of tube types. The phono stage and line stage are typically suited for the 6DJ8/6922 tube family, but with a switch inside, so many others are supported. I have quite a stash of tubes from owning the Aesthetix Io/Callisto as well as several ARC, BAT and Counterpoint products since the mid 80s. But I also have tried out a few tube types I never owned before but purchased the last couple months while waiting for the WV to arrive. It is amazing how cheap some of these "oddball" tubes are on ebay. And one type tonight at $20 for five, really impressed me here. It displaced one of my favorite mid-priced 6DJ8 tubes by quite a margin.
The WV shows the sonic differences between the tube types to be the same characteristics as what I heard with the Aesthetix gear. However, these sonic differences between tube types are more significant now. I suspect it's due to the WV's greater resolving power. Some tubes are quite mellow with a most distant presentation and others give big and bold projection. So far the only tube that sounds horrible here is the 6H30...a quad that I had when I owned the BAT 31SE for 2 years. The stage was flat and objects were distant and muffled.
I own one coveted tube pair that is absolutely stunning in the CAT amps and the Aesthetix gear as well.....but their magic was most greatly achieved in the amps. And their stellar performance carries on in both stages of the WV. I lucked out and found another pair and will get those soon for the phono stage. And then all I have to do is repeat the process for one final pair.....for the line stage...once I get passed the "bad" period if it ever happens. But this cheapo tube that I got on ebay might just be the ticket for quite some time. Sure beats paying $200-400 for a pair of tubes!
It sounds like a complicated process but really it is only for 2 pairs of audio tubes. Mike Elliot loaded up the power supply with premium tubes that he hand selects for Counterpoint updated gear. I might play a little with one of the tubes but once I get the 2 pairs in the audio stages optimized, the lid goes back on and I can continue the WV's evaluation against other components in house.
John