"Reference" Preamps


Seems like every time I turn my head there's a new "reference" preamp available. Heck, in this month's stereophile there are TWO that are better than anything else out there. Seems like their reviewers don't talk to one another.

Problem is that no one in the press ever wants to COMPARE sonics anymore, but they're oh so quick to throw superlatives around, and gush over dozens of subjective attributes.

I want to upgrade my ARC LS25mk2 preamp and would like to know where to spend my time. These are all $10kish msrp preamps that would hopefully fall into the "last preamp I'll ever want to own" category.

Audio Research Reference 3
Ayre K1xe
BAT VK-51SE
EAR 912
Mark Levinson 326

Didn't make my list:

Conrad-Johnson ACT2 (no balanced outs)
Hovland HP1000 (no balanced outs)
Lamm Reference 2 (no remote, separate volume controls)

Would someone care to start offering comparative opinions on these? What other preamps should I add to this list?

Thanks!
128x128ghunter
Thanks again, everyone. Some very interesting options here, and I'm also questioning my bias towards XLR outs too.
It's rumored that Ayre may have a new design to partner with their latest monoblocks. If that's true you should seriously consider waiting before you make such an expensive upgrade. The K-1 is one of the very few preamps that offer mechanically driven attenuators for remote control. Along with a philosophy of balanced operation and fabulous sonics, it may suit your needs.

A high quality and very well executed alternative to the mainstream products you've listed is www.reflectionaudio.com

Your at a level where your subjective taste and possibly system synergy should be the guiding factor. At this level a head to head comparison would only reveal their basic traits and provide little in the way compatibility with the rest of *your* system. This is that magical point when this hobby becomes either fun or sort of scary. Whatever your choice, you will be amazed by the importance and improvement a well designed preamp can have with your existing system.

Personally, I feel the audio press is doing their job when they effectively convey their experience with a product and stay away from opinionated ranking of products at this level. One publication recently did a head to head with class D amplifiers and may have lost a great deal of credibility due to an enormous weakness in their process of comparison.

Of course that's just my opinion I could be wrong.

Have fun
Vic, I completely agree with your statement that my subjective taste will weigh heavily in the final decision. What I'm trying to do here is to narrow my list down a little so I make sure I'm evaluating the best contenders. This is both to expand the list (as with the Placette) and to narrow it so I don't waste time listening to gear that probably won't sound the way I want.

Where I disagree with you is in believing that there's middle ground that the hi-fi press is not covering right now, and that has to do with more basic comparisons and fewer superlatives. Stereophile's recent review of the ARC Ref3 tells me little more than it is the greatest preamp ever made and it exudes all the qualities one would expect from a preamp in that price range. It offers nothing as to the character of the sound relative to the author's own current reference, nor any other products in that range. This is as useless as the direct comparison you mention, but just because there are flaws on either end of the spectrum does not mean that there is value in between them.

How much are the Reflection components? Seems like there's a very Naim-like (addictive and expensive) upgrade path with their offering.
Albert
You've stated that Callisto is the best preamp in the world once it has the remote mod. Do you still stand by that statement?
The Aesthetix Callisto is the best preamp in the world (obviously my opinion), regardless of the remote control mod or not. The remote is a convenience, and nothing more.

There are many people who will not consider a preamp without a remote. I have owned both types and get accustomed to either. I have to get up to change the LP anyway, so tending to the volume may be done at the same time. It is nice on recordings that are off balance or cut low or high to have to option to tweak from the sweet spot, but not a life or death deal. I buy what sounds best and live with whatever is required to reach that goal.

In my dreams, transistor units the size of a cigar box and an iPod or CD makes perfect music. Imagine how much more space could be dedicated to software :^).

Until that happens we all have to decide what's the breaking point and how much hassle we're willing to put up with to get each increment of performance in search of perfection :-).