Help with compression and dynamic range


I'm 51. After a 15 year period of dealing with mortgage payments and childcare needs, I'm trying to get back into higher-end audio quality - especially when it comes to dynamic range in concert DVDs. I've recently spent countless hours trying to research CDs, MP3s and compression issues - with no resolve.

How can I tell which concert DVDs offer wider dynamic ranges? Or, for that matter,CDs? Is there a rating on the covers? I'm willing to do my homework if anyone can give me a reference. I've just read "Get Better Sound" by Jim Smith with no resolve.

Also, I'm looking to purchase a DVD player which will maximize sound quality when I can determine which DVDs and CDs are recorded with minimum compression and wider dynamic range. Can anyone explain what to look for when purchasing a higher-end DVD player. I've seen ratings for DACs, but am unsure what they mean.

ANY help is appreciated.
kewadinbob
Onhwy61 ;
Maybe we are talking about two different things here .
What I am referring to when I speak of compression is the
omission of the highs and lows . This is what is done , as you mentioned , on FM radio . I get the same kind of reduction on some CD's and LP's . It kind of sucks the life out of the music . It is akin to putting a blanket over your speakers . And then on other recordings the highs and lows are present and the music just sings ! Not so much about the dynamics or loud and quiet passages but the extension .

Thank you
Kewadinbob ;
Doing your homework will consist of reading recording reviews , if you can find them , or just taking a chance . There may be 2 , 3 or more prints of the same album that may or may not contain the same sound qualities often from different manufacturers . I've had three different prints of 'Dark Side of the Moon' on CD . They all were compressed . I have a LP that is not . I have George Harrison 'All Things Must Pass' LP set . The first song on side A of the first record is pretty good . All of the rest of the songs are compressed ! It sounds like somebody covered the mic's .
My experience has shown it to be pretty much a hit and miss situation . I hit the thrift stores to try them . Then donate the misses and keep the hits , sometimes having to repurchase better condition copies from resellers .
Good luck and enjoy the hunt !
This is the first time I've ever heard compression defined as "the omission of the highs and lows."
Some of us have different definitions for terms than others .
I look at compression as taking away the highs and lows and compressing the audible signal into a narrower frequency range . For instance reducing a 20hz.-20k.hz band range ( an average audible range) and compressing it down to say 150hz.-16k.hz.
I am not ignoring dynamics , soft to loud . It's just that I find compressing the audible signal range to be more deleterious and experienced more often .
But this discussion is off topic .

Happy Tunes
That's not a definition of audio compression. What you're referring to is bandwidth limiting. In the example you suggested 3 octaves of bass, but less than a half octave of treble are removed. With anything approaching a full range musical passage that level of bandwidth limiting would sound unnatural.