Sonus Faber Amati Homage versus Vandersteen 5A


Has anyone directed compared these two speakers in the same environment and electronics? How are their respective sonic signatures different. Are they more or less similar to the Wilson WP 7 or Ariel 20T??
dbk
Steve: Lighten up? Did you happen to check out any of YOUR original comments before our posts?

If you want "jump" from tubes you need a high current design like the VK150se mono tubes from BAT. GIves you the best of both worlds, a high powered MAC tube amp would also fit the bill.
Right on Ritteri. High current is certainly what's required for lower impedance designs. I was not aware that BAT can produce such current and I definitely investigate. I have only heard their components at Audio shows. Always a difficult environment in which to accurately evaluate systems.

Also, it seems like Manley may have some higher current tube designs as well. Comments welcomed.

Question: From Dbk's original question, which of the four pairs he asked about, SF Amati Homage, Vandy 5A, Wilson WP7 or Aerial 20T would be the easiest to drive from a current demand point of view?
They are all nominal 4ohm designs, and real world impedance curves throughout the bandwidth will confim that any competent amplifer can drive em all with relative ease.
Specs may give you a hint, but will never fully tell you what a speaker will sound like. Those who simply want to reject all speakers which are not phase coherent or which have certain shaped impedance curves or which are this much efficient or inefficient all miss the point. You can't take a single piece of data out of the context of the product as a whole. These are speaker SYSTEMS, which mean that they rely on many factors to reproduce sound. Some of these factors are known and can be measured. Others are most certainly unknown as to why one speaker will sound better than another. Moreover, the conventional wisdom as to what factors are important in designing a high-quality speaker system are certainly only half-true or perhaps will be proven not true at all in the future. Indeed, using our ears alone, we cannot even agree on what is an excellent high-quality speaker for the large part. So how can we agree on what are the essential must-have ingredients and designs for an excellent speaker? My feeling is, unless we design speakers for a living, the less said about the "how" as justification for great sound, the better. We don't really know if the "how" is the "why" for the great sound we think we are hearing. We are typically only relying on what the manufacturers are telling us. Can't we just relax and enjoy the music without fighting about the engineering and can't we all just get along?
1) We can all get along; no more "fighting" about engineering from my end...
2) Actual listening to systems is the best way to evaluate ultimate inter-component compatibility...but
3) One CAN make sensible choices BEFORE listening to particular component combinations, e.g., whether a particular amplifier would be well suited for driving a speaker based on a couple of specs, or whether the output impedance of a particular preamp would be suited to the input impedance of an amp. My point being that, at the very least, some incompatibilities, based on electrical parameters, can be screened out ahead of time by such methods.