Why SACD,DVD-A are already DEAD


I think it's time to really look at this issue as it stands today,in a clear rational way that takes into account the varied market forces which are the true determinates for any new formats sucess or failure.
SACD IS ALREADY DEAD PERIOD!
Why you ask?Well for the following reasons:
1.It's been about 2-3 years since the introduction of SACD and look at position it's in, in terms of SOFTWARE AVAILIBILITY and MASS MARKET AWARENESS.
Take the pathetic lack of titles,not only that, but look at the artists that are chosen as SACD releases,Yo Yo Ma,Kind of Blue,(for the upteenth time)Muddy Waters etc,etc.This is no reflection on the artists but only on their limted MASS MARKET APPEAL.Who was the marketing genius who decided to re-issue this material to captivate and generate a MASS INTEREST to this new format.You need a MASS MARKET BASE for any medium to succeed.
2.As has been stated before in other forums(stereophile for one) why would the average person shell out $25 HARD EARNED DOLLARS for one of these titles?Why?What are the advantages to the average listerner.it COSTS more,it's an artist in a speciality genre comparatively speaking(jazz,blues,classical vs. pop,rock,techno)it offers no physical advantage in terms of storage,packaging,and not only that it requires a NEW player!
If you wanted to consciously destroy this new format you could'nt have done a better job than Sony has already done.
3.Given the current state of the music industry ,their major concern right now is to halt the proliferation of the MP3.What major label is going to go out and spends tons of $ on P&A(publicity,advertising)and also re-tooling their cd manufacturing plants to output SACD'S as efficently as CD'S?Right now their is NO MASS MARKET AWARENESS of SACD,it's a fact ,we live in the hermetically sealed world of the audiophile culture.Most people don't even know about HDCD,GOLD CD'S,MOBILE FIDELITY DISC'S!
Look at the history of the 8 track tape,dat,mini disc,beta and you will see that SACD is right on track for a quick burial.
3.In order to suceed you need a medium that offers a clear cut advantage over the existing technology.Other than some sonic advantages(even that's not a slam dunk as many would suppose)What does the average person get besides A HIGHER PRICED CD?
5.For those of you who have purchased these players
thinking that if the SACD revolution doesn't occur then at least I have a player that does cd's better than most players,well you're probably right in that it will out perform an AVERAGE player.But think about it ,Sony is making a player to maximize their new format NOT the CD.There will be some compromise on the cd playback chain, As the price of the SACD player drops so will the manufacturers concern with producing great sounding cd playback.Parts,build quailty will most definetly suffer.
DVD-A IS ALREADY DEAD PERIOD!
Why you ask?Well for the following reasons:
1.Again it's basically MARKET AWARENESS,SOFTWARE AVAILIBILTY AND THE COST OF THE DVD.
2.Why would the AVERAGE person buy a dvd-a disc for $25 and ignore theCHEAPER CD VERSION!.Well if that person owns a terrific sounding surround set-up then sure that person will most probably buy one,but that person doesn't represent the mass market.Sure DVD video has had tremendous growth but it's the video (movies)that'sdriving the market not the ability to play music.My theory is that dvd -a won't take off for basically the same reasons that SACD won't.MASS MARKET AWARENESS,COST OF DISC,COST OF CREATING A SURROUND SETUP FOR MUSIC,COST OF GETTING A DVD-A PLAYER.Since dvd is already in place as an excellent video playback medium,I think the cost of the disc will be a major hurdle for the average person.Watermarking will be the hump for the audiophile,besides the fact that the proper engineeering of these surround disc's will be crucial to audiophile acceptance of this format.Idon't think either of these issues will be resolved in the near future,or even at all.
WHAT SHOULD YOU DO NOW?
1.The current technology for cd players and cd engineering has progressed significantly in the past 3 years.My advise is to buy a good high end cd player right now!There are plenty to chose from ,be prepared to spend $3-$6 grand,but also be prepared to hear your cd's sound GREAT not good but really ,really GREAT!
Let's face it life is short ,the players are out there, start listening and buy one(no I'm not a manufacturer or salesperson)and start enjoying the hundreds or thousands of cd's you already own.
To all those vinylphiles,I think you face similiar problems.limted software,mass market REJECTION.and old technology which needs a significant $ expenditure for great sound,not to mention the care and maintance required to keep these puppies sounding tick and pop free. I think of vinylphiles as one would think of vintage car hobbists,it's cool if you don't mind the fuss(I doI think the old maxim that lp's sound better than cd's is becoming meaningless.good lp on good system =good sound. good cd on good system= good sound.Ironically I think vinyl will prevail over sacd and dvd-a,it's a small club but it has a history behind it that will guarantee it's longevity.
So IMO cd's and vinyl for quite some time ,both require some cash outlay for a really good playback but it's the NOW and that NOW will be around for at least the next 10 years.
joeavid
I hate to admit it, but SACD and probably DVD-A are not going to make it. That's a shame, really. I have a DVD-A player with an Outlaw outboard base management box and it works great in multi-channel mode. I would not bother with 2-channel DVD-A. There are,of course, drawbacks--lack of popular discs, pricing, and some pretty mundane music. The biggest problem I see is the record companies who are more concerned with copy protection than marketing a good product. I've heard SACD at audio shows, but I have never seen a disc in a retail store(Tallahassee). At least my DVD-A player is a good DVD player in and of itself. What to do? I will continue to listen to my 1000+ vinyl collection and to my CDs on my 2-channel tube based system (I just bought a pair og Quicksilver tube amps off this site and love them). By the way, the best CDs I've heard are JVC XRCDs. They are without a doubt the best produced and re-mastered CDs you can buy.
Got off track a little bit but there is a lot of good stuff to listen to
Jim

The music industry can still save SACD/DVD-A, by simply phasing out production of redbook-only disks, and selling hi-res disks (readable on CD players, of course) for at most a nominal amount more than the current price of CDs. Then, over time, consumers will build up collections of hi-res disks, and the audio companies can market hi-res players as a way to "get the most out of the disks you've already got." I don't see any other way to make this plane fly, Orville. (Also, this will only work if there's a single hi-res format. Otherwise, the slogan becomes, "Get the most out of half the disks you've got." Not exactly catchy.)

I also agree with Joe on hi-res digital vs. optical. For good clean sound, my vote goes to digital. But for obsessive fun, vinyl's got it all. Plus, there really is software out there, albeit used.

To some extent, though, this debate is a little short-sighted. Eventually, disks themselves will be obsolete, and you'll just download everything you want (for a fee) at whatever resolution you want into your terabit iPod. Once the bandwidth is there, hi-res becomes very feasible.
Why it has taken so long for the consumer to understand what is basically common knowledge within the manufacturing community is perhaps the real question here. While I agree with the basic premise of the article, I would add that DVD-A will continue to grow in market share, if only due to its close association with DVD-V. While neither I, nor anyone else harbors any illusion of DVD-A "taking off" it should continue to enjoy slow but positive growth over time. At some point in time, it is highly likely that all DVD players sold (except perhaps those at the very bottom of the price point) will include support for DVD-A material.

What is truly interesting is the fact that a small scale war has been in progress for sometime and the battle ground has been the high end community. The reasons for this are simple; the high end market is considered a “safe” place to wage a war. Why would super powers choose to lob bombs at each other, when they can pick a small “island” where they can test out their latest weapon, all at the same time being careful not to disturb either’s home lands? With willing participants (perhaps unknowingly) like the high end press and the small audiophile record labels, it is a simple matter to throw a very small amount of resources at the battle. Just like its equivalent third world counterpart, the only real victims are those that must endure the battle, in this case, it is the high end community. The fragmentation and confusion that this struggle has caused has been very costly to the growth of the high end industry. To truly understand the reasons, one only needs to “follow the money” then everything becomes clear.
I agree - especially since HDCDs and XRCDs sound so doggone good - and CHEAP, too - I recently scored 5 HDCDs off the Internet and paid a total of $21 for all 5, delivered to my door!! Sony has a history of fuck-ups, and I'm not about to jump on their broken-down SACD bandwagon. Long live HDCD/XRCD!!

BTW, if you dig Roxy Music, their "Avalon" HDCD is a gift from Heaven - it sounds *marvelous*. And The Other Ones' HDCD "The Strange Remain" 2 cd set is going for $7.00 on Half.com - this is a deal and a half, boys! I'm *still* trying to find the Creedence XRCDs that Garfish exclaimed about, anybody know of a supplier?
SACD will succeed because the companies that are producing the music want it to. The lesson has been learned by the music comapanies that if they don't copy protect their product, they can't stop "piracy". The new formats are copy protected, in their digital form, and that is the goal. They are not about to let MP3, Napster, and all that happen again. Also, the Sony patent on CD is running out, so that is going to get the phase-out treatment just like vinyl did. All the new players will have CD and SACD capability so you can play the old and the new. But, you won't digitally record the new. The music companies and the big electronics industry dictates what we will listen to and on what format. It is a top down structure. We will get what they decide to give us. In the case of SACD, I'll take it. Anyone who can't hear the difference between CD and SACD is deaf.Just play the Tubular Bells disc on a good redbook player and then on an SACD player. If you don't hear the difference, then take up golf, or some other hobby. I do not bemoan the demise of CD, as it was technically flawed from the outset. All of this audiophile hocus pocus over the last 20 years was simply trying to make a silk purse out of a sow's ear. And remember, none of the audiophile griping affected the market dominance of CD after a few years. It was shoved down our throats whether we liked it or not. Yes, a few of us stayed with analog. My prediction is that SACD will provide the "Trojan Horse" of copy protected software that the industry desperately wants. We should just be glad that they are giving us a little "sugar", in the form of higher resolution, with the poison of copy protection. Copy protection was coming anyway. So at least we will get a little better sound along with it. IMHO.