Best CD-R Recorder--Tascam, HHB, Marantz, Sony???


I'm shopping for a CD-R recorder, mainly for "pro audio" use (to make CD's from live recordings made on my Tascam DAT machine), altho I'm also an audiophile & will use it to make CD copies, & from vinyl LP's, etc.

My problem is--just can't find many reviews on these, from any of the mags like EM, S'phile, TAS, etc., or online. I'm mainly interested in audio quality. I know there was a thread about this a few weeks ago on this site, but most of the responses just dealt with what kind of blank discs to use.

Thanks in advance for any advice!
steveaudio
I bought a dual-tray Philips 765 burner. For the life of me I cannot figure out how to copy from one tray to the other. I was thinking of posting a thread asking if any other Philips users could help me out. I'm generally pretty good with electronics, be aware of user friendly features or end up like me, scratching your head and wondering.
Avoid any of the consumer machines as these use consumer CD-Rs which are less readily available, I have found to be a lower quality sounding disc, and also don't tend to make as good of a disc. Most consumer machines usually focus more on flashy features that you will never use rather than the mechanicals of the unit. Also, consumer units will have the Serial Copy Management System in it preventing you from making more than 1 generation of discs.

The HHB is a great unit and makes excellent CDs even using its internal A/Ds when recording from analog sources. The professional Marantz units have also been historically good units.

A great "add on" that isn't very expensive if you are going to be dubbing LPs is the Apogee Rosetta A/D convertor.
I also hope that your DATs were recorded at 44.1 instead of the 48 kHZ DAT standard. If they were recorded at 48 kHZ, you will need a sample rate convertor.
While I can't speak about specific burners, I can suggest two very reputable sources of goods (media, DAT & CD-R recorders, etc.) to the live music taping & trading community. Check out Terrapin Tapes (www.terrapintapes.com) and Oade Brothers Audio (www.oade.com). Both cater primarily to folks like you who are digitally recording and transferring shows, and both have been doing so for quite some time. The Oades go waaay back with the Grateful Dead's taping community and even make mic. preamps for live recording. I'm sure either outfit would be glad to discuss features/pros/cons of various burners with you.
Tascam CDRW700. Got mine at the local Guitar Center for under $600, to replace a Pioneer 555 that sounded okay but restricted you to "Audio" disks and forbad digital dubbing. The Tascam sounds really great, is very flexible, and has burned several hundred CDRs without a hitch. Even has a timer built in.
I have the Tascam CDRW5000. It makes copies that sound as good as the original. Keep in mind that the digital cable you use makes a big diffrence, as does the brand of CDR (Mitsui Gold is the best) I would highly reccomend the Acoustic Zen MC2 digital cable.